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PRODID:-//Out West Liminal Sounds - ECPv6.0.11//NONSGML v1.0//EN
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METHOD:PUBLISH
X-WR-CALNAME:Out West Liminal Sounds
X-ORIGINAL-URL:https://owls.place
X-WR-CALDESC:Events for Out West Liminal Sounds
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X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Australia/Perth
BEGIN:STANDARD
TZOFFSETFROM:+0800
TZOFFSETTO:+0800
TZNAME:AWST
DTSTART:20230101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=Australia/Perth:20231116T050000
DTEND;TZID=Australia/Perth:20231116T053000
DTSTAMP:20260728T190740
CREATED:20231114T022612Z
LAST-MODIFIED:20231114T022612Z
UID:705-1700110800-1700112600@owls.place
SUMMARY:Commonwealth of New Bayswater Temple - Morning Devotionals
DESCRIPTION:At 5am on the 16th\, 17th\, 18th and 19th of November devotionals will be performed by internationally acclaimed musicians. Performing this month are Anaxios\, Jacob Diamond with Isaac Diamond\, and Leafy Suburbs [with Sorcha Albuquerque and Josten Myburgh]. \nThe services are free and open to the public visiting from any country. \n[Editor’s note: Limited accessibility information is provided for this event. The event is signed as wheelchair accessible\, but we know that the terrain is very uneven. We encourage you to contact the Fremantle Biennale for access details.]
URL:https://owls.place/event/commonwealth-of-new-bayswater-temple-morning-devotionals/
LOCATION:The Commonwealth of New Bayswater Temple\, Bather's Beach at Fleet Street (32°03'23.9"S 115°44'24.3"E)\, Fremantle\, WA\, 6160\, Australia
ATTACH;FMTTYPE=image/jpeg:https://owls.place/wp-content/uploads/2023/11/New-Bayswater-Temple.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Perth:20231115T200000
DTEND;TZID=Australia/Perth:20231115T210000
DTSTAMP:20260728T190740
CREATED:20231114T040354Z
LAST-MODIFIED:20231114T040354Z
UID:730-1700078400-1700082000@owls.place
SUMMARY:Samuel Bielby: Machinic Paragenesis (opening performance)
DESCRIPTION:[Editor’s note: We are aware of a performance occurring at 8pm on the opening night of the exhibition by Samuel and collaborators\, advertised on Current’s Instagram. The below text is identical to the main exhibition event on our listing.] \nWe are extremely excited to announce our first SHOW: EXHIBITION OR PROJECT; Samuel Beilby’s Machinic Paragenesis. \nSamuel’s work captured us instantly and have put together an exhibition that just had to be part of CURRENT. This is one of those shows that you just have to experience to grasp. In Samuel’s own words: \n\n\n‘On one-hand\, it can be recognised as a DIY experiment in guerrilla field recording and video art-making that amounts to both an exposition of capitalism’s definitive exploitation of the natural world\, and the generative potential of noise as an artistic material for charting complex tensions particular to our late-capitalist reality. \nOn the other-hand\, the project ironically drags noise back into the meat-grinder\, commodifying the emancipated remnants of a labour built upon harvested bio-organisation and amounting to a diminution of the liberatory potential of noise in production systems. This is an experiment that has produced a paradoxical outcome\, in which product and byproduct\, luxury and necessity\, repetition and difference are blurred\, confused and hybridised.’
URL:https://owls.place/event/samuel-bielby-machinic-paragenesis-opening-performance/
LOCATION:Current\, 141 Queen Victoria St\, Fremantle\, WA\, 6160\, Australia
ATTACH;FMTTYPE=image/png:https://owls.place/wp-content/uploads/2023/11/wwwsambeilby.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231115
DTEND;VALUE=DATE:20231124
DTSTAMP:20260728T190740
CREATED:20231114T040149Z
LAST-MODIFIED:20231114T040149Z
UID:725-1700006400-1700783999@owls.place
SUMMARY:Samuel Bielby: Machinic Paragenesis
DESCRIPTION:We are extremely excited to announce our first SHOW: EXHIBITION OR PROJECT; Samuel Beilby’s Machinic Paragenesis. \nSamuel’s work captured us instantly and have put together an exhibition that just had to be part of CURRENT. This is one of those shows that you just have to experience to grasp. In Samuel’s own words: \n\n‘On one-hand\, it can be recognised as a DIY experiment in guerrilla field recording and video art-making that amounts to both an exposition of capitalism’s definitive exploitation of the natural world\, and the generative potential of noise as an artistic material for charting complex tensions particular to our late-capitalist reality. \nOn the other-hand\, the project ironically drags noise back into the meat-grinder\, commodifying the emancipated remnants of a labour built upon harvested bio-organisation and amounting to a diminution of the liberatory potential of noise in production systems. This is an experiment that has produced a paradoxical outcome\, in which product and byproduct\, luxury and necessity\, repetition and difference are blurred\, confused and hybridised.’
URL:https://owls.place/event/samuel-bielby-machinic-paragenesis/
LOCATION:Current\, 141 Queen Victoria St\, Fremantle\, WA\, 6160\, Australia
ATTACH;FMTTYPE=image/png:https://owls.place/wp-content/uploads/2023/11/002SHOWSAMBEILBY-06.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Perth:20231113T180000
DTEND;TZID=Australia/Perth:20231113T210000
DTSTAMP:20260728T190740
CREATED:20231007T015334Z
LAST-MODIFIED:20231007T082722Z
UID:640-1699898400-1699909200@owls.place
SUMMARY:Malleefowl 8: Sally Ann McIntyre (Naarm) & Andrew Sutherland
DESCRIPTION:Come on Monday\, November 13\, 6pm for performances by poet Andrew Sutherland and sound artist Sally Ann McIntyre. \nAndrew Sutherland is a Queer Poz (PLHIV) writer\, poet and theatre-maker in Boorloo making some of the most challenging and intruiging work in town (in this author’s opinion). His work moves between confronting experimentalism and pop culture affection deftly\, sometimes even managing to make one seem like the other. He will read some of his amazing poems. \nSally Ann McIntyre visits from Naarm to play at the Fremantle Biennale on November 9. Here she’s offering something better suited to a small space and close listening attention\, rather than the windy outdoor festival location. Her work speaks volumes about extinction\, loss and absence using sampled documentary audio\, radio silence\, dead air\, static and interference. \nAs always there will be dinner to share. It will probably be something needlessly elaborate. It will be vegetarian and will accommodate everyone’s dietary needs. Best to BYO drinks. \nPlease RSVP to unhearable.chords@gmail.com for the address\, and tell Josten any dietary or access needs/concerns you may have. Plus-ones\, kids\, plus-one’s-plus-ones etc. are welcome. \nEntry by donation\, any amount (suggested $20). \nNB: Malleefowl cannot accommodate dinner for RSVPs made after midnight November 9 as I do the shopping on the 10th. Additionally\, if you are intending to come but not to stay for dinner\, please communicate this. Thanks. \nAccessibility: Regrettably the Meltham Cultural Precinct is a very inaccessible venue for wheelchair users. Entry is either via three flights of stairs (the front door)\, a very steep driveway to the right of the house followed by a single step to enter the house\, or a single flight of steps followed by a single step to enter the house on the right side. The bathroom is not wheelchair accessible (the entranceway is narrow\, and around a bend). Happy to assist with access if needed but the bathroom situation sucks. Otherwise: the vibe will be pretty relaxed\, you can check out in the garden if you need to take a break\, there’s multiple seating options\, the music will be relatively quiet (acoustic\, unamplified)\, there are usually quite a lot of people in a relatively small space.
URL:https://owls.place/event/malleefowl-8-sally-ann-mcintyre-naarm-andrew-sutherland/
LOCATION:Meltham Cultural Precinct\, Private location\, Bayswater\, WA\, 6053\, Australia
ATTACH;FMTTYPE=image/jpeg:https://owls.place/wp-content/uploads/2023/10/Sally-McIntyre-1-photo-credit-Campbell-Walker.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Perth:20231112T140000
DTEND;TZID=Australia/Perth:20231112T150000
DTSTAMP:20260728T190740
CREATED:20230926T062436Z
LAST-MODIFIED:20230926T062436Z
UID:612-1699797600-1699801200@owls.place
SUMMARY:Laura Altman (Sydney) end-of-residency showing
DESCRIPTION:Join us for a presentation by Tone List & Goolugatup artist in residence\, Laura Altman\, visiting for two weeks from Gadigal land (Sydney). An integral member of Sydney’s experimental music scene\, Laura’s practice incorporates experimental improvisation\, site-specific music-making\, composing and writing songs\, and curating. She’ll share some of the work she produced during this open-ended residency. \nRSVPs appreciated at info@tonelist.com.au. \nNB: The venue is only accessible via stairs and does not have accessible bathrooms.
URL:https://owls.place/event/laura-altman-sydney-end-of-residency-showing/
LOCATION:8 Hickey St\, 8 Hickey St\, Ardross\, WA\, 6153\, Australia
ATTACH;FMTTYPE=image/jpeg:https://owls.place/wp-content/uploads/2023/09/Laura-Altman-Residency-End-of-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Perth:20231110T180000
DTEND;TZID=Australia/Perth:20231110T190000
DTSTAMP:20260728T190740
CREATED:20231005T061533Z
LAST-MODIFIED:20231005T061855Z
UID:629-1699639200-1699642800@owls.place
SUMMARY:Cords and wires\, whistling in wind: radio cegeste (Naarm)
DESCRIPTION:Sunset listening experiences to delicate\, careful music by highly-regarded experimental musicians from around Australia.  \nradio cegeste \nhttps://radiocegeste.blogspot.com/ \nMusician\, artist and poet radio cegeste (Sally Ann McIntyre) performs with radio silence\, field recordings of extinct animals\, static and interference to make intimate and extraordinary works that ruminate on loss\, haunting and memory. \nSun 5 Nov\, 6pm – Dale Gorfinkel\nFri 10 Nov\, 6pm – radio cegeste\nFri 17 Nov\, 6pm – Jameson Feakes
URL:https://owls.place/event/cords-and-wires-whistling-in-wind-radio-cegeste/
LOCATION:Er Pavillion (J Shed)\, J Shed\, Fremantle\, WA\, 6160\, Australia
ATTACH;FMTTYPE=image/jpeg:https://owls.place/wp-content/uploads/2023/10/Sally-McIntyre-2-photo-credit-Jennifer-Callaway.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Perth:20231109T190000
DTEND;TZID=Australia/Perth:20231109T233000
DTSTAMP:20260728T190740
CREATED:20231101T232338Z
LAST-MODIFIED:20231101T232401Z
UID:700-1699556400-1699572600@owls.place
SUMMARY:ALT/Experimentia x Burnt Seed Records: Drowned God / Kim Little x BladeRunar / Lowmass / Noise for No One / Samarobryn / Scientia x Tenebrae
DESCRIPTION:ALT teams up with BURNT SEED RECORDS for their next edition of Experimentia Series.\nfeaturing A-Z:\n– Drowned God\n– Kim Little x BladeRunar\n– Lowmass\n– Noise for No One\n– Samarobryn\n– Scientia x Tenebrae\n RAZORBOUQUET DJs takeover the RITUALS courtyard slot from 5pm-8pm \n>>>>>>>>>>>>>>>>>\nThursday November 9th\n@ The Bird\n$10 on the door\n<<<<<<<<<<<<<<<<<<\nWe acknowledge that this event takes place on Stolen Whadjuk Noongar land.\nWe pay respect to elders past\, present and emerging. Sovereignty was never ceded.\nFollow us >> https://linktr.ee/heartsofdarkness\nPoster by @yumyab
URL:https://owls.place/event/700/
LOCATION:The Bird\, 181 William St\, Northbridge\, WA\, 6003\, Australia
ATTACH;FMTTYPE=image/jpeg:https://owls.place/wp-content/uploads/2023/11/396240738_837638705033438_5588153917189512433_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Perth:20231109T170000
DTEND;TZID=Australia/Perth:20231109T210000
DTSTAMP:20260728T190740
CREATED:20231026T090451Z
LAST-MODIFIED:20231026T090451Z
UID:693-1699549200-1699563600@owls.place
SUMMARY:Tone List Fundraiser Extravaganza ft. Great Statue\, Tone List Orchestra & Sookie (DJ)
DESCRIPTION:Join us for a celebration of Tone List and to help us raise money to continue our operations into the future. \nCome down to The Sullivan Hall from 5pm for hangs\, home-cooked food and drinks\, with live music kicking off around 7pm. \nEntry by donation. Your generosity is admired and appreciated. \nSchedule \nfrom 5pm: hangs\, home cooked food\, limited edition merch\, silly antics\, and Sookie (504\, The Noise and Vibration Council) sharing some music and ways of listening to music. Bring a picnic rug and lounge in the sun outside the hall – it’s beaut. \nafter 7pm: live performances by \nGreat Statue – is it scary drag\, avant-garde electronic music or just Really Fun? \nTone List Orchestra – legendary one-off large-ensemble collaboration\, featuring\nPedro Alvarez (quenas)\, Sally Ann McIntyre (electronics)\, Simon Charles (soprano saxophone)\, Jameson Feakes (guitar)\, Dale Gorfinkel (Naarm\, self-made instruments)\, Djuna Lee (double bass)\, Annika Moses (voice)\, Josten Myburgh (alto saxophone)\, Dan O’Connor (trumpet)\, Craig Pedersen (trumpet)\, Sage Pbbbt (voices)\, Laura Altman (Sydney\, clarinet & electronics)\, Thea Rossen (percussion)\, Gracie Smith (electric guitar & electronics)\, Stuart Orchard (self-made instruments)\, Naoko Uemoto (saxophones) & Saskia Willinge (flute). \nWhy do we need to raise funds? \nTone List is a volunteer-run\, registered not-for-profit charity organisation. It costs us about $3000 a year to maintain insurances\, business registrations\, and software subscriptions. As we pay all of our ticket money to artists\, we have previously covered these costs by including them in grant budgets where appropriate. Our applications both this and last year towards project funding for 2023 were all rejected\, leaving us without this usual financial base. \nHere is why those things are worth paying for: \n– our NFP status lets us apply for and auspice funding to support projects in the scene. We frequently volunteer our time to do this and have paid tens of thousands in artist fees to musicians through our own projects and via auspices. \n– we’re a channel for philanthropic support for the scene and have supported tax-deductible donations being directed to pay artists for performances and new work \n– we advocate for the scene internationally and have aided in getting WA artists to festivals and concert series’ interstate and overseas through the networks we’ve established via the label and our concert programming. \n– our standing as an award-winning\, critically acclaimed platform allows us to write valuable letters of support to support internationally touring artists in their applications for funding inbound travel\, and Perth artists acquiring funding for projects. We do this dozens of times a year. \n– we advocate for local institutions and festivals to take the local experimental music scene seriously\, involving artists from the scene in their programming and paying artists and curators proper rates for their work. \n– artists on our roster receive benefits like free BandCamp Pro subscriptions for their own profiles. \n– we can maintain a digital archive of our activities for posterity. \nWe welcome questions and comments from you all! \n  \nAccessibility: The Sullivan Hall is a wheelchair accessible space. Both bathrooms are all-gender and wheelchair accessible and are located outside of the space\, accessible via even terrain (concrete path). Both doors of the venue will be open for much of the day to ensure airflow; we will only close them if there are noise concerns. Tone List promotes “being how you are” at the show\, you can move around\, lie on the floor\, check out and go outside if you need fresh air or a break\, etc. There is parking available immediately outside the venue\, however it fills up quickly. The music will at times be loud. \nTone List acknowledges the sovereign Whadjuk people of the Noongar nation as the traditional and rightful custodians of where we work (Walyalup and Boorloo).
URL:https://owls.place/event/tone-list-fundraiser-extravaganza-ft-great-statue-tone-list-orchestra-sookie-dj/
LOCATION:Sullivan Hall\, 2 Nannine Ave\, White Gum Valley\, WA\, Australia
ATTACH;FMTTYPE=image/jpeg:https://owls.place/wp-content/uploads/2023/10/TL-FUNDRAISER-Square-Update-Party9.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231109
DTEND;VALUE=DATE:20231113
DTSTAMP:20260728T190740
CREATED:20230921T012908Z
LAST-MODIFIED:20230921T012908Z
UID:605-1699488000-1699833599@owls.place
SUMMARY:Fremantle Biennale: So once you were here they had you
DESCRIPTION:Close to the submerged remnants of the Fremantle Long Jetty\, an immersive re-telling of arrival and separation will unfold. \nSo once you were here they had you is an experiential audio-visual poem to the 50 young cotton-weaver women who arrived on the shores of Walyalup\, journeying by ship from Lancashire over 110 days and nights in 1863. Created by electronic music composer Rebecca Riggs-Bennett and video artist Elham Eshraghian-Haakansson\, this work takes place across Bathers Beach\, re-tracing the steps of the women and the many others of the “Bride Ship” era. \nSo once you were here they had you is a reflective honouring of the time swept experiences of these women. Cross with us into an immersive\, at times ghostly\, real and imagined narrative of migration\, loss and departure. \nAnimator: Jarrad Russell\nDramaturgy & Co-Designer: Rachel Riggs\nNarration: Angeliki Georga & Phoebe Georga \n\n\n\nDate and Time \n\nBathers Beach (near Kidogo Arthouse)\, Fremantle\n9 – 12 Nov\nThurs – Sun\n7pm\, 7.30pm\, 8pm \nAudio-Described & Assistive Listening Performance\nSat 11 Nov (book here) \nAuslan Interpreted Performances\nSun 12 Nov (book here)
URL:https://owls.place/event/fremantle-biennale-so-once-you-were-here-they-had-you/
LOCATION:Bathers Beach\, Fremantle\, WA\, 6160
ATTACH;FMTTYPE=image/jpeg:https://owls.place/wp-content/uploads/2023/09/13.-SO-ONCE-YOU-WERE-HERE-GalleryColour1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Perth:20231105T180000
DTEND;TZID=Australia/Perth:20231105T190000
DTSTAMP:20260728T190740
CREATED:20231010T091048Z
LAST-MODIFIED:20231010T091048Z
UID:671-1699207200-1699210800@owls.place
SUMMARY:Perth International Jazz Festival: fOUR
DESCRIPTION:fOUR: Nate Wood’s one-man band of virtuosic ability and space-y sounds. \nGrammy-nominated\, New York-based multi-instrumentalist Nate Wood called this project fOUR “because it’s me with four limbs playing four instruments at once”. A truly ambitious take on going solo\, Wood plays everything — analogue synths\, drums\, bass\, guitar as well as vocals — at the same time. \nfOUR’s sound veers from complex\, space-y prog rock to electronic-tinged instrumentals. \n“Wood’s brain splits attention between four synthesisers\, an electric bass and a drum kit\, all while singing about futurism. Wood plays all of fOUR’s tunes in one take. No backing tracks. No overdubs. Nate Wood pulls us into an industrial\, neon dystopia with tunes that stand alone as headphone music without the accompanying visuals\, meticulously crafted and with precise execution. This isn’t novelty music. You’re hearing (and seeing) a mastermind songwriter and mad scientist at work.” NPR Music
URL:https://owls.place/event/perth-international-jazz-festival-four/
LOCATION:The Rechabite Hall\, 224 William St\, Northbridge\, WA\, 6003\, Australia
ATTACH;FMTTYPE=image/jpeg:https://owls.place/wp-content/uploads/2023/10/fOUR-Nate-Wood_B2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Perth:20231105T180000
DTEND;TZID=Australia/Perth:20231105T190000
DTSTAMP:20260728T190740
CREATED:20231005T061349Z
LAST-MODIFIED:20231005T061735Z
UID:625-1699207200-1699210800@owls.place
SUMMARY:Cords and wires\, whistling in wind: Dale Gorfinkel (Naarm)
DESCRIPTION:Sunset listening experiences to delicate\, careful music by highly-regarded experimental musicians from around Australia. \nDale Gorfinkel \nwww.dalegorfinkel.com  \nDale Gorfinkel has been engaging in site-attentive improvisation for over fifteen years. He carries a deep attention\, playfulness and a captivating sense of flow across all of his performances\, which usually are made on self-made instruments. His “Air Drums” use breath to vibrate large balloon membranes stretched over drums. These are amplified by microphones that swing like pendulums\, creating phenomenal ripples of tone and sub-bass rumbles. Bunningscore meets profound attunement with place. \nSun 5 Nov\, 6pm – Dale Gorfinkel\nFri 10 Nov\, 6pm – radio cegeste\nFri 17 Nov\, 6pm – Jameson Feakes \nAccessibility: The Er Pavillion is wheelchair accessible. See the Fremantle Biennale website for more details including accessible bathroom locations nearby.
URL:https://owls.place/event/cords-and-wires-whistling-in-wind-dale-gorfinkel-naarm/
LOCATION:Er Pavillion (J Shed)\, J Shed\, Fremantle\, WA\, 6160\, Australia
ATTACH;FMTTYPE=image/jpeg:https://owls.place/wp-content/uploads/2023/10/Dale-Gorfinkel-photo-credit-Lana-Nyugen.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Perth:20231105T153000
DTEND;TZID=Australia/Perth:20231105T163000
DTSTAMP:20260728T190740
CREATED:20231010T090836Z
LAST-MODIFIED:20231010T090836Z
UID:668-1699198200-1699201800@owls.place
SUMMARY:Perth International Jazz Festival: Matthew Sheens & Ben Vanderwal
DESCRIPTION:Nice To Meet You: pianist Matthew Sheens and drummer Ben Vanderwal play together for the first time \nFirst meetings rarely play out in public\, but they will at this unique series of shows. Nice To Meet You brings together two world-class musicians who have never played together and puts them in front of an audience that can watch in wonder as they navigate this new musical relationship in real time. \nIn this performance\, New York-based Australian pianist and composer Matthew Sheens is paired with globally renowned Perth drummer Ben Vanderwal. How will these two unique forces in the world of jazz find their way forward? Will it be a meeting of musical minds or a clash of musical titans? No-one will know until they hit the stage of the atmospheric and intimate Liberty Theatre. – and you could be among the only people to witness this premiere performance. Because there can never be another first time.
URL:https://owls.place/event/perth-international-jazz-festival-matthew-sheens-ben-vanderwal/
LOCATION:Liberty Theatre\, 81 Barrack Street\, Perth\, WA\, 6000\, Australia
ATTACH;FMTTYPE=image/jpeg:https://owls.place/wp-content/uploads/2023/10/Matthew-Sheens-and-Ben-Vanderwal_B.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Perth:20231105T140000
DTEND;TZID=Australia/Perth:20231105T150000
DTSTAMP:20260728T190740
CREATED:20231010T090633Z
LAST-MODIFIED:20231010T090633Z
UID:665-1699192800-1699196400@owls.place
SUMMARY:Perth International Jazz Festival: Josh Meader & Sam Anning
DESCRIPTION:Nice To Meet You: guitarist Josh Meader and bass player Sam Anning play together for the first time. \nFirst meetings don’t always play out in public\, but they will at this unique series of shows. Nice To Meet You brings together two world-class musicians who have never played together\, and puts them in front of an audience that can watch in wonder as they navigate this new musical relationship in real time. \nIn this performance\, Sydney guitarist Josh Meader will meet Melbourne bass player Sam Anning. Will these two powerhouse players create musical fireworks\, or slip into subtle\, sonoric serenity? No-one will know until they hit the stage of the atmospheric and intimate Liberty Theatre. – and you could be among the only people to witness this premiere performance. Because there can never be another first time.
URL:https://owls.place/event/perth-international-jazz-festival-josh-meader-sam-anning/
LOCATION:Liberty Theatre\, 81 Barrack Street\, Perth\, WA\, 6000\, Australia
ATTACH;FMTTYPE=image/jpeg:https://owls.place/wp-content/uploads/2023/10/Sam-Anning-and-Josh-Meader_B.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Perth:20231105T123000
DTEND;TZID=Australia/Perth:20231105T133000
DTSTAMP:20260728T190740
CREATED:20231010T090427Z
LAST-MODIFIED:20231010T090427Z
UID:662-1699187400-1699191000@owls.place
SUMMARY:Perth International Jazz Festival: Shannon Barnett & Helen Svoboda
DESCRIPTION:Nice to Meet You: trombonist Shannon Barnett meets double bassist and vocalist Helen Svoboda. \nFirst meetings rarely play out in public\, but they will at this unique series of shows. Nice To Meet You brings together two world-class musicians who have never played together\, and puts them in front of an audience that can watch in wonder as they navigate this new musical relationship in real time. \nIn this performance\, Australian-born\, German-based trombonist Shannon Barnett will meet Melbourne double bass player and vocalist Helen Svoboda. Will this duo create musical magic of spartan simplicity or radically robust improvisations? No-one will know until they hit the stage of the atmospheric and intimate Liberty Theatre. – and you could be among the only people to witness this premiere performance. Because there can never be another first time.
URL:https://owls.place/event/perth-international-jazz-festival-shannon-barnett-helen-svoboda/
LOCATION:Liberty Theatre\, 81 Barrack Street\, Perth\, WA\, 6000\, Australia
ATTACH;FMTTYPE=image/jpeg:https://owls.place/wp-content/uploads/2023/10/Helen-Svoboda-and-Shannon-Barnett_B1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Perth:20231105T110000
DTEND;TZID=Australia/Perth:20231105T120000
DTSTAMP:20260728T190740
CREATED:20231010T090138Z
LAST-MODIFIED:20231010T090138Z
UID:656-1699182000-1699185600@owls.place
SUMMARY:Perth International Jazz Festival: Tom Avgenicos & Jessica Carlton
DESCRIPTION:Nice To Meet You: trumpeters Tom Avgenicos and Jessica Carlton play together for the first time. \nFirst meetings rarely play out in public\, but they will at this unique series of shows. Nice To Meet You brings together two world-class musicians who have never played together and puts them in front of an audience that can watch in wonder as they navigate this new musical relationship in real time. \nIn this performance\, Australian trumpeters Tom Avgenicos and Jessica Carlton will take to the stage under these unique circumstances. Will it be duelling trumpets or a scintillating soundscape of haunting beauty? No-one will know until they hit the stage of the atmospheric and intimate Liberty Theatre. – and you could be among the only people to witness this premiere performance. Because there can never be another first time.
URL:https://owls.place/event/perth-international-jazz-festival-tom-avgenicos-jessica-carlton/
LOCATION:Liberty Theatre\, 81 Barrack Street\, Perth\, WA\, 6000\, Australia
ATTACH;FMTTYPE=image/jpeg:https://owls.place/wp-content/uploads/2023/10/Jess-Carlton-Tom-Avgenicos_B1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Perth:20231104T210000
DTEND;TZID=Australia/Perth:20231104T220000
DTSTAMP:20260728T190740
CREATED:20231010T091433Z
LAST-MODIFIED:20231010T091433Z
UID:674-1699131600-1699135200@owls.place
SUMMARY:Perth International Jazz Festival: Delay 45
DESCRIPTION:Tom Avgenicos presents Ghosts Between Streams\, an ode to nature via a rich tapestry of sounds\, with Delay 45. \nGhosts Between Streams is an interdisciplinary work by 2022 Freedman Fellow\, composer and trumpeter Tom Avgenicos. It blends chamber music\, contemporary jazz and electronics to explore the power struggle between nature and urbanisation. With an overarching environmental concern\, the work captures the notion of solastalgia – the sadness felt at the loss or change of a beloved place in nature. \nInspired by Avgenicos’ daily walks through Stringybark Creek Reserve on Cammeraygal Country (Sydney)\, Ghosts Between Streamspaints a vivid picture of the reserve’s rich flora and fauna\, now threatened by urban development. This is reflected in the work through an exploration of contrasts: light and dark\, consonance and dissonance\, smooth and jagged\, acoustic and electronic. \nGhosts is performed by Avgenicos’ long-standing quartet\, Delay 45\, featuring Roshan Kumarage (piano)\, Dave Quinn (bass) and Ashley Stoneham (drums). Together they create a rich tapestry of sounds and textures that are woven together into an epic work that promises to take audiences on a spellbinding journey brimming with emotional power and resonance.
URL:https://owls.place/event/perth-international-jazz-festival-delay-45/
LOCATION:Goodwill Club\, 224 William St\, Northbridge\, 6003\, Australia
ATTACH;FMTTYPE=image/jpeg:https://owls.place/wp-content/uploads/2023/10/Delay-45_B1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Perth:20231104T180000
DTEND;TZID=Australia/Perth:20231104T193000
DTSTAMP:20260728T190740
CREATED:20230921T010625Z
LAST-MODIFIED:20230921T010625Z
UID:578-1699120800-1699126200@owls.place
SUMMARY:Perth International Jazz Festival: Helen Svoboda (solo)
DESCRIPTION:A “whimsical and free” solo performance for double bass and voice. \nHelen Svoboda is a double bassist\, vocalist and composer. In the words of the ABC Music Show’s Andrew Ford\, she is “a musician who absolutely defies categorisation”. Her work explores the melodic potential of the contemporary double bass\, intricately weaving extended techniques and overtones with vocal tessitura to explore themes of sonic unity amidst abstract songwriting. Her performance practice emits a childlike\, quirky energy\, with a flair for “allowing difficult ideas to sound whimsical and free”\, according to vocalist Kristin Berardi. \nFor this performance\, she presents a series of new solo works for double bass and voice\, composed during her time in Finland as part of the Helsinki International Artist Programme earlier this year. Inspired by the arctic biosphere on Suomenlinna\, the materials feature extended overtone techniques and short songs akin to a stream of sonic consciousness.
URL:https://owls.place/event/perth-international-jazz-festival-helen-svoboda-solo/
LOCATION:Goodwill Club\, 224 William St\, Northbridge\, 6003\, Australia
ATTACH;FMTTYPE=image/jpeg:https://owls.place/wp-content/uploads/2023/09/Helen-Svoboda_B1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Perth:20231104T160000
DTEND;TZID=Australia/Perth:20231104T173000
DTSTAMP:20260728T190740
CREATED:20230921T012333Z
LAST-MODIFIED:20230921T012333Z
UID:598-1699113600-1699119000@owls.place
SUMMARY:Fremantle Biennale: Kastoms performance with Taloi Havini\, Ben Hakalitz & Mario Celestino
DESCRIPTION:Kastoms is a new iteration of Taloi Havini’s Answer to the Call\, an immersive twenty-two speaker installation\, composed in dialogue with contemporary arts practice\, scientific investigation and customary wisdom. \nOriginally created after her residency onboard the R/V Falkor (Schmidt Ocean Institute) and premiered with the TBA21-Academy at Ocean Space\, Venice (2021)\, this significant work is now re-imagined in Australia for the first time\, resounding in a series of cycles specifically for the Old Customs House in Fremantle. \nAn island platform will lie at the centre\, its shape and blue tones will evoke the depth and expanse of our understanding of Oceania from the viewpoint of the artists homeland\, the island of Buka\, Bougainville. Listeners will be absorbed into a meditative and gradual evolving soundtrack\, designed by Hayley Forward. Hydrophone recordings of sea floor sonar mapping are layered with ocean chants and Indigenous instruments composed by musician’s Ben Hakalitz and Mario Celestino. Traversing beyond a scientific lens\, Kastoms utilises an ancient call and response method as an invitation for all to enter a temporal space created for deep-listening and relating. \nLike the ocean\, Kastoms is a work of sensory depth\, ancient dialogues and cultural contemporary resonance. Alongside the installation\, Kastoms will include an intimate live performance and in-conversation between Taloi Havini and collaborating musicians Ben Hakalitz and Mario Celestino. \nTraditional Composition & Instruments: Ben Hakalitz\, Mario Celestino\, Past Hakö elders chants\nComposition & Sound Design: Hayley Forward\nSound Engineer: Felix Abrahams\nSound Mixing: Jeremy Turner\nProducer: Angela Duffy\nOriginally commissioned by the TBA-21 Academy at Ocean Space\, Venice\, 2021.
URL:https://owls.place/event/fremantle-biennale-kastoms-performance-with-taloi-havini-ben-hakalitz-mario-celestino/
LOCATION:Old Customs House\, 8 Philimore St\, Fremantle\, WA\, 6160\, Australia
ATTACH;FMTTYPE=image/jpeg:https://owls.place/wp-content/uploads/2023/09/8.-KASTOMS-GalleryColour2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Perth:20231103T210000
DTEND;TZID=Australia/Perth:20231103T230000
DTSTAMP:20260728T190740
CREATED:20230921T011159Z
LAST-MODIFIED:20230921T011159Z
UID:583-1699045200-1699052400@owls.place
SUMMARY:Perth International Jazz Festival: Shannon Barnett Quartet
DESCRIPTION:Trombonist Shannon Barnett and her quartet blend German precision with Australian humour and musical mastery. \nDescribed as a “soul-meltingly communicative brass player”\, trombonist Shannon Barnett brings her German-based quartet to the Perth International Jazz Festival for the time. Building on her already impressive performance background in Australia\, Barnett moved to Cologne in 2014\, where she soon crossed paths with David Helm (bass)\, Fabian Arends (drums) and Stefan Karl Schmid (tenor saxophone) and subsequently formed this quartet. They have released three albums together (Hype\, Bad Lover and Alive at Loft) and have toured throughout Europe and Australia\, including performing at the 2016 Wangaratta Festival of Jazz and Sydney Women’s Jazz Festival. \nPredominantly playing Barnett’s compositions\, audiences can expect German precision mixed with Australian humour and a great deal of exciting musical interaction in between. \n“Barnett is a trombonist who tells stories with her instrument\, seemingly squeezing out words and sentences\, whistling meoldies and trills – completely at peace with herself and her tool.” – Dylan Cem Akalin\, jazzandrock.com \n“… a soul-meltingly communicative brass player” – Matty Bannond\, Free Jazz Collective \nThis project has been assisted by the Australian Government through Creative Australia\, its arts funding and advisory body. \n[Editor’s note for accessibility: The Rechabite is accessible via the side entrance off of William Street. The Hall is on the first floor and is accessible via lift. FOH staff should be able to direct you there. It has wheelchair accessible bathrooms on the basement level via lift.]
URL:https://owls.place/event/perth-international-jazz-festival-shannon-barnett-quartet/
LOCATION:The Rechabite Hall\, 224 William St\, Northbridge\, WA\, 6003\, Australia
ATTACH;FMTTYPE=image/jpeg:https://owls.place/wp-content/uploads/2023/09/Shannon-Barnett-Quartet_B1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Perth:20231103T180000
DTEND;TZID=Australia/Perth:20231103T210000
DTSTAMP:20260728T190740
CREATED:20231027T141442Z
LAST-MODIFIED:20231027T141442Z
UID:697-1699034400-1699045200@owls.place
SUMMARY:Goolugatup Sounds - Laura Altman (Syd) / SCRATCHING / Marcus Whale (Syd)
DESCRIPTION:GOOLUGATUP SOUNDS 16\nw/\nSCRATCHING\nMARCUS WHALE (eora / nsw)\n+ LAURA ALTMAN (eora / nsw)\nFriday 3 November 2023 / Free entry from 6pm\nGS16 finds us in the height of Kambarang season\, welcoming three acts who illuminate different threads connecting familiar genre tropes with freeform sound exploration. Each offers their music alongside vivid modes of performance – where elements of theatre\, human movement\,\nSCRATCHING is the ever-evolving collaboration of Grace Sanders and Ezekiel Padmanabham\, augmented live by some of Boorloo’s finest players and sound-shapers. With Grace’s introspective-yet-sprawling songwriting and Ezekiel’s omnivorous production approach\, Scratching can veer from futuristic dance-pop to lo-fi folk; ambient balladry to chiming electronica; even to noise and accelerationist pop-punk without once breaking the spell of their distinctive soundworld. Never the type to rest on their laurels\, Scratching have hinted at an extra-special set for Goolugatup Sounds 16; whatever it is is likely to be bold and bright\, emanating life-affirming creative energy.\nTravelling West from Sydney/Gadigal country is MARCUS WHALE\, one of the most unmistakeable presences in the Australian DIY music scene. When he’s not making avant-pop with long running duo Collarbones or gothy punk with Perfect Actress\, Marcus’ solo practice excavates the “blurry intersection between desire and religion” and “the poetics of memory and ghostliness.” His crystalline voice is typically front and centre – with dramatic electronics\, heady percussion and warped club rhythms forming a an ornate\, at times grotesque architecture for it to inhabit and diffuse. Effortlessly folding in the aesthetics of opera\, horror cinema and hyperreal erotica\, Marcus crafts singular moods and an entirely unforgettable live show.\nLAURA ALTMAN\, also based on Gadigal Country\, is a cherished fixture in Sydney’s experimental sound community – known for her roles in projects like Splinter Orchestra\, Prophets\, Great Waitress\, Couch (with Low Flung) and many more. As a composer and solo performer\, Laura explores everything from painterly drones and “extended techniques” to song-forms\, social practice and the zoomed-in details of timbre and resonance. Tone List (who alongside Goolugatup are presenting Laura’s artist residency at Yagan Mia / Wireless Hill) remark that “Laura has an extraordinary and unique practice of improvising with clarinet\, cassette tapes\, resonators and acoustic feedback from small speakers\, in a manner where it’s hard to distinguish what thing is making what sound.” Whatever their puzzling origins\, Laura’s sounds are bound to captivate\, thrill and intrigue.\nPLUS – an open studio and pop-up shop from local makers VOLIM\, food from local providores\, full bar and the opening of Goolugatup’s annual site-specific exhibition TILT – this year featuring Lisa Liebetrau and Shannon Lyons in a show curated by Brent Harrison.\n[www.goolugatup.com/exhibitions]\n–~*~–\nWe acknowledge the Bibbulmun as the Traditional Owners of the land on which we stand and pay respect to the Whadjuk people\, and Elders past\, present\, future.\nACCESS –\nPhysical access: Goolugatup gallery is wheelchair accessible via footpaths / low-incline ramps\, and ACROD parking is available nearby. Main entry is 1.4m wide\, and accessible toilet doors are 0.9m wide. Toilets are unisex. Performances will take place in the outdoor courtyard.\nAudiovisuals: Lighting and sound levels are of moderate intensity. Dynamic projected visuals may be used\, but no strobes or intense fast-flashing lights.\nIf you require an AUSLAN interpreter please contact us and we’ll facilitate wherever possible. Goolugatup Heathcote does not currently have Hearing Loop facilities.\nTransport: Goolugatup Heathcote is a cultural precinct comprising heritage buildings and a nature reserve\, located on the shores of the Derbal Yerrigan in the suburb of Applecross\, just south of the centre of Boorloo Perth\, WA. It is a 10 minute drive from the CBD\, and ample free parking is available onsite. The closest train station is Canning Bridge\, and the closest bus route the 148.\ngoolugatup.com\nImage: Lyndon Blue
URL:https://owls.place/event/goolugatup-sounds-laura-altman-syd-scratching-marcus-whale-syd/
LOCATION:Goolugatup Heathcote\, 58 Duncraig Rd\, Applecross\, WA\, 6153\, Australia
ATTACH;FMTTYPE=image/jpeg:https://owls.place/wp-content/uploads/2023/10/395302000_865004538515245_5922314576385665417_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231103
DTEND;VALUE=DATE:20231120
DTSTAMP:20260728T190740
CREATED:20230921T012439Z
LAST-MODIFIED:20230921T012524Z
UID:601-1698969600-1700438399@owls.place
SUMMARY:Fremantle Biennale: Resonant
DESCRIPTION:Resonant is an exhibition bringing together two distinct installations at PS Art Space by Bori Benko and Rob Kettels. In conversation with space\, time and\, one another. Resonant will transport viewers into an entangled vibrational and sonic world\, into a space of shared visual lyricism and intertwined histories. \nBori Benko’s Songs to the Universe makes visible the vibrating forces beyond our perception. Everything in our world\, in the digital landscape and within our bodies\, hum with vibrational energy. Bori captures these different frequencies and unique tunes in her moving mechanical sculptures. Revealed in this exhibition are the harmonies\, patterns and travelling waves that are usually invisible to the human eye. \nRob Kettels’ installation delves into the legacy of maritime time-balls – now obsolete navigational instruments – which served as signalling devices for mariners beginning in the early 19th century. Inspired by a historical incident in 1911 when Fremantle’s time-ball malfunctioned\, dropping at the incorrect time\, Rob’s artwork unfolds in a fictional narrative portraying a ship’s disorientating return to Europe with its timepiece mistakenly set. Electromechanical assemblages and animated sequences playfully expose and challenge settler colonial notions of mastery and control of time. \nGallery hours: 10am-8pm\, Thursday to Sunday. \n[Editor’s note: PS Art Space’s ground floor is wheelchair accessible with accessible bathrooms. The event website has further accessibility information.]
URL:https://owls.place/event/fremantle-biennale-resonant/
LOCATION:PS\, 22 Pakenham St\, Fremantle\, WA\, 6160\, Australia
ATTACH;FMTTYPE=image/jpeg:https://owls.place/wp-content/uploads/2023/09/11.-RESONANT-GalleryColour1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231103
DTEND;VALUE=DATE:20231120
DTSTAMP:20260728T190740
CREATED:20230921T012057Z
LAST-MODIFIED:20230921T012057Z
UID:593-1698969600-1700438399@owls.place
SUMMARY:Fremantle Biennale: Kastoms
DESCRIPTION:Kastoms is a new iteration of Taloi Havini’s Answer to the Call\, an immersive twenty-two speaker installation\, composed in dialogue with contemporary arts practice\, scientific investigation and customary wisdom. \nOriginally created after her residency onboard the R/V Falkor (Schmidt Ocean Institute) and premiered with the TBA21-Academy at Ocean Space\, Venice (2021)\, this significant work is now re-imagined in Australia for the first time\, resounding in a series of cycles specifically for the Old Customs House in Fremantle. \nAn island platform will lie at the centre\, its shape and blue tones will evoke the depth and expanse of our understanding of Oceania from the viewpoint of the artists homeland\, the island of Buka\, Bougainville. Listeners will be absorbed into a meditative and gradual evolving soundtrack\, designed by Hayley Forward. Hydrophone recordings of sea floor sonar mapping are layered with ocean chants and Indigenous instruments composed by musician’s Ben Hakalitz and Mario Celestino. Traversing beyond a scientific lens\, Kastoms utilises an ancient call and response method as an invitation for all to enter a temporal space created for deep-listening and relating. \nLike the ocean\, Kastoms is a work of sensory depth\, ancient dialogues and cultural contemporary resonance. Alongside the installation\, Kastoms will include an intimate live performance and in-conversation between Taloi Havini and collaborating musicians Ben Hakalitz and Mario Celestino. \nTraditional Composition & Instruments: Ben Hakalitz\, Mario Celestino\, Past Hakö elders chants\nComposition & Sound Design: Hayley Forward\nSound Engineer: Felix Abrahams\nSound Mixing: Jeremy Turner\nProducer: Angela Duffy\nOriginally commissioned by the TBA-21 Academy at Ocean Space\, Venice\, 2021. \n[Editor’s note: Accessibility details available via the event website.]
URL:https://owls.place/event/fremantle-biennale-kastoms/
LOCATION:Old Customs House\, 8 Philimore St\, Fremantle\, WA\, 6160\, Australia
ATTACH;FMTTYPE=image/jpeg:https://owls.place/wp-content/uploads/2023/09/8.-KASTOMS-GalleryColour1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231103
DTEND;VALUE=DATE:20231113
DTSTAMP:20260728T190740
CREATED:20230921T011923Z
LAST-MODIFIED:20230921T012134Z
UID:589-1698969600-1699833599@owls.place
SUMMARY:Fremantle Biennale: The Port's Call
DESCRIPTION:Fremantle’s Inner Harbour will be transformed by The Port’s Call\, an expansive sonic installation by Thomas Supple and Byron J Scullin. Beginning at dawn on the first day of the Biennale and continuing until dusk on Sunday 12 November\, the arrival and departure of each large vessel (regardless of the time of day)\, will be signalled by a bespoke soundscape. \nWith each passing vessel\, a continually changing symphony of sound\, using long-range acoustic technology\, will echo throughout the Port. Stretching across a square kilometre\, from the South Mole into Victoria Quay\, the harbour will become a living stage for this sound experience\, attuned to the rhythms of industry. \nCombining human voices and subtle electronics\, this auditory voyage invites listeners to consider anew the cacophony\, movement and epic orchestra that is our global system of commercial goods. \nResonating across the surfaces of these iconic ocean goliaths\, The Port’s Call is an unrepeatable experience calling us to voyage and this place of safe harbour. \n[Editor’s note: Accessibility details available on the event website.]
URL:https://owls.place/event/fremantle-biennale-the-ports-call/
LOCATION:Victoria Quay & Inner Harbour\, Fremantle Port\, Victoria Quay & Inner Harbour\, Fremantle Port\, Fremantle\, WA\, 6160\, Australia
ATTACH;FMTTYPE=image/jpeg:https://owls.place/wp-content/uploads/2023/09/10.-PORTS-CALL-GalleryColour1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Perth:20231102T193000
DTEND;TZID=Australia/Perth:20231102T220000
DTSTAMP:20260728T190740
CREATED:20230915T023138Z
LAST-MODIFIED:20230915T024938Z
UID:526-1698953400-1698962400@owls.place
SUMMARY:Kinds of Light 8: AA Matheson (Naarm) / Land's Air
DESCRIPTION:Kinds of Light is a concert series for creative music in the striking surrounds of PS Art Space in Walyalup/Fremantle. Curated by composer and improvising musician Josten Myburgh\, Kinds of Light celebrates ambitious experimentation\, careful musicianship\, and sounds that are relevant to this place and time. It is programmed across style and genre\, excited by the love and rigour that goes into music that defies categories. \nThe final Kinds of Light for 2023 takes place on November 2 with doors and a bar opening at 7:30pm\, followed by the music starting shortly after. The concert features songs by AA Matheson and experimental improvisations by Land’s Air\, linked by their slow-burn pace and an utmost care for tiny nuances in sound. \nHeartbreaking and slower-than-slow\, AA Matheson’s songs burn beautifully with struggle and grief\, often unfolding so gradually that every note feels radically important. Whilst most easily categorised as alt-country\, influences to her songwriting seep in from field recordings\, ambient music\, and the minimalist end of experimental composition. The result is truly unique and personal. Her debut record “Trying” folds multiple spaces and times together\, recorded in multiple locations and conjuring images of the wheatbelt\, the Californian desert\, and the cold eucalypt forests of Victoria. \nhttps://marfalightsrecords.bandcamp.com/album/trying \nLand’s Air is made up of prolific experimental musician and organiser Eduardo Cossio\, and Kinds of Light curator Josten Myburgh. Playing completely improvised concerts with an unusual combination of alto saxophone\, amplified zithers\, cassette tapes and effects pedals\, the sound world their music creates is vivid and distinct. Their debut release on Tone List explored haunting microtonal melodies over endless\, ringing drones\, sounding like music for an otherworldly liturgy. Recently returned from a 15-show tour of Europe\, their sound has arrived at new places marked by gradual pace and a striving to combine the diverse sounds they make into one totality. \nhttps://tonelist.bandcamp.com/album/lands-air \nEach artist will present a performance of 30-40 minutes duration\, with a break in-between. \nAccessibility: This event will be held upstairs at PS due to the usual ground floor space being unavailable. This floor can only be accessed by two flights of stairs and as such is not wheelchair accessible. Gender-neutral and accessible bathrooms are located down the stairs on the ground floor. There is ample seating available and the venue is very spacious. The music will at times be very quiet. \nTone List acknowledge the Whadjuk people of the Noongar nation as the traditional custodians of where we work (Walyalup and Boorloo).
URL:https://owls.place/event/kinds-of-light-8-aa-matheson-naarm-lands-air/
LOCATION:PS\, 22 Pakenham St\, Fremantle\, WA\, 6160\, Australia
ATTACH;FMTTYPE=image/jpeg:https://owls.place/wp-content/uploads/2023/09/KoL-FBEvent-8-LandsAir-Darlene-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Perth:20231031T190000
DTEND;TZID=Australia/Perth:20231031T230000
DTSTAMP:20260728T190740
CREATED:20231011T021231Z
LAST-MODIFIED:20231011T021231Z
UID:677-1698778800-1698793200@owls.place
SUMMARY:Noizemaschin!! 144
DESCRIPTION:Come one and all to 144th edition of Noizemaschin!!\n(Extra) spooky Halloween edition!!\nFeaturing the amazing\nChristopher John Brown\nWE1 XAM\nPastoral Care Seance\nSpectacular Decay\nGhost Of She\nScientia and Tenebrae\nJo Rider & Jean-Michel (feat Unknown Bird)\n504\n$10/$5\nWe acknowledge the Traditional Owners of the land where we live and work\, the Whadjuk people of the Noongar nation\, and recognise their continued custodianship and connection to the land\, waters and community. We pay our respects to them and their Elders past\, present and emerging.
URL:https://owls.place/event/noizemaschin-144/
LOCATION:The Bird\, 181 William St\, Northbridge\, WA\, 6003\, Australia
ATTACH;FMTTYPE=image/png:https://owls.place/wp-content/uploads/2023/10/NM_144_Insta1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Perth:20231029T100000
DTEND;TZID=Australia/Perth:20231029T130000
DTSTAMP:20260728T190740
CREATED:20231007T014600Z
LAST-MODIFIED:20231007T014600Z
UID:637-1698573600-1698584400@owls.place
SUMMARY:Jason Kahn: On Listening
DESCRIPTION:On Listening\nWorkshop: October 29\, 10am-1pm at Goolugatup Heathcote’s Mandoon Hall\nPay-what-you-can entry (suggested $10-$20)\, registrations essential \nPresented by internationally renowned experimental musician Jason Kahn (Zurich)\, visiting with the support of the Swiss Arts Council Pro Helvetia. \nThe workshop On Listening investigates the activity of listening in the context of an artistic practice. Active listening\, as in the sense of a listening intervention\, is something that each of us can do without any special training or skills\, but which many of us might not have thought of doing before. Much has been made of the art of field recording\, but what if we put away the microphones and sound recorders and just tried to focus on the essence of a particular place through concentrated listening? \nThe workshop runs for around three hours\, depending on the number of participants. After a brief introduction from each of the participants and myself about our practice\, we move outside to spend around one hour listening at a particular place. This does not involve the use of sound recorders\, taking notes or using a mobile phone. People are just meant to sit and listen and reflect on what listening means\, what the sounds they are hearing produce in terms of how they perceive the space around them\, both as a physical as well as social entity. After the listening session we will spend the final hour of the workshop discussing our experiences. \nThe workshop is not geared towards producing any answers or finished products\, but to open up a discussion about what it means to listen to our environments as a creative practice. It is open to anyone who is interested in listening. There are no technical requirements or skills required. \nPart of our workshop day with Sound Exploration Fremantle.\nSign-up at bit.ly/TLSEF. \njasonkahn.net \nThe Mandoon Hall at Goolugatup Heathcote is wheelchair accessible and accessible bathrooms are available on site. The route taken on the listening component of the workshop can be tailored to diverse access needs.
URL:https://owls.place/event/jason-kahn-on-listening/
LOCATION:Goolugatup Heathcote\, 58 Duncraig Rd\, Applecross\, WA\, 6153\, Australia
ATTACH;FMTTYPE=image/jpeg:https://owls.place/wp-content/uploads/2023/10/Tone-List-Presents-Jason-Kahn-WorkshopSquare-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Perth:20231028T190000
DTEND;TZID=Australia/Perth:20231028T223000
DTSTAMP:20260728T190740
CREATED:20230926T030601Z
LAST-MODIFIED:20230926T030601Z
UID:609-1698519600-1698532200@owls.place
SUMMARY:Tone List Presents: Jason Kahn (Zurich)\, Dale Gorfinkel (Naarm)\, Laura Altman (Sydney) & Sage Pbbbt\, WE1 XAM (Naarm) & wetpuddlss
DESCRIPTION:JASON KAHN (Zurich)\njasonkahn.net\nLAURA ALTMAN (Sydney) & SAGE PBBBT\nlauraaltman.net\nsagepbbbt.com\nDALE GORFINKEL (Naarm)\ndalegorfinkel.com\nWE1 XAM (Naarm)\nmarfalightsrecords.bandcamp.com/album/middle-america\nWETPUDDLSS\nhttps://www.instagram.com/wetpuddlss_dj/\n\nSuper excited to present this line-up of outrageously good experimental music from artists active internationally. Sometimes deadpan and intense\, sometimes goofy and wild\, always committed to fascinating new possibilities with sound and performance and having a Good And Interesting Time.\n\nZurich-based artist Jason Kahn has spent over playing and writing about experimental music internationally. His idiosyncratic approach to modular synthesis involves directly touching the instrument’s patch cables to use his body to complete circuits\, and overdriving the instrument with feedback and input from contact microphones and electromagnetic pickups. Wild and outta control yet with a focus and presence that comes only from great experience.\n\nLaura Altman\, our artist in residence visiting from Sydney\, plays a fascinating and delicate setup using clarinet in tandem with gentle feedback between cassette players\, resonating chambers and small speakers. She delicately blends the sound of the clarinet and the electronic sounds\, making them almost indistinguishable. She joins local exploratory vocalist Sage Pbbbt\, a long-running but infrequent collaborator of hers\, for a duo set of detailed\, subtle sounds.\n\nNaarm-based instrument builder Dale Gorfinkel’s new solo project “Headbanging” involves the use of drums from as many as four drum kits alongside numerous auxillary percussion instruments\, all played by one musician using more than ten mallets simultaneously with the aid of a custom-made helmet. Outrageous\, hilarious and brilliant.\n\nWE1 XAM – Jaslyn Robertson & Darlene Aaron from Naarm – play idiosyncratic drone meltdowns using multiple layers of analogue and FM synthesis. Ecstatic and enveloping.\n\nWeird party energy and interim ambience brought by wetpuddlss (Ailsa Waddell)\, presenter on RTR.FM‘s trainwreck\, contemporary artist and regular performer about town.\n\nA hint of Audible Edge energy for yas!\n\nDoors\, DJ and bar open at 7:00pm\, live music starts just after 7:30.\n\nTone List events work on a pay-what-you-can principle: you are welcome to pay any amount. For this gig we suggest $30\, $20 or $10.\n\nAccessibility: This event is held upstairs at PS\, which is only accessible via two flights of stairs. Gender-neutral accessible bathrooms are located on the ground floor. The music will at times be very loud or very quiet. No flashing lights or strobes will be used.\n\nTone List is a Boorloo-based exploratory music label\, operating on the lands of the Whadjuk people of the Noongar nation. We pay our respects to custodians and elders of this boodja past\, present and future.
URL:https://owls.place/event/tone-list-presents-jason-kahn-zurich-dale-gorfinkel-naarm-laura-altman-sydney-sage-pbbbt-we1-xam-naarm-wetpuddlss/
LOCATION:PS\, 22 Pakenham St\, Fremantle\, WA\, 6160\, Australia
ATTACH;FMTTYPE=image/jpeg:https://owls.place/wp-content/uploads/2023/09/TL-Presents-Jason-Kahn-FIN-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Perth:20231022T140000
DTEND;TZID=Australia/Perth:20231022T163000
DTSTAMP:20260728T190740
CREATED:20231008T021519Z
LAST-MODIFIED:20231008T021519Z
UID:649-1697983200-1697992200@owls.place
SUMMARY:Sound Exploration Fremantle: "Red Hot Go" with Lyndon Blue
DESCRIPTION:For their SEF workshop this month\, Lyndon Blue invites you to share in a spirit of playfulness and genre-anarchy at Sullivan Hall. The afternoon will feature a revival of Lyndon’s 2016 ensemble experiment ‘Red Hot Go’ – in which participants are required to attempt specific ideas on wholly unfamiliar instruments – as well as exploration into “game pieces\,” and the strange art of improvising songs. \nLyndon Blue is a musician from Boorloo/Perth with a focus on composition and recording\, and an instrumental background in violin and double bass. They have performed and released music locally and internationally\, under their own name and guises such as Leafy Suburbs\, Solar Barge\, and Heathcote Blue. Lyndon’s musical output appears in past\, present and intermittent collaborations including Spice World\, Methyl Ethel\, Seams\, Spirit Level\, Vanishing Island Group\, Moses & Blue and many more. Though their main interest lies in the construction and deconstruction of song-forms\, Lyndon has been a regular improviser in Boorloo and Naarm and composed for theatre\, dance\, film\, and installation works. They are currently Music Curator at Goolugatup Heathcote Gallery\, Applecross and a regular presenter on RTRFM’s Difficult Listening show. \nentry by donation: $10/15/20\n(all contributions go towards paying the professional musicians who guide our workshops and to rental for the hall) \nThe Sullivan Hall is wheelchair accessible with accessible bathrooms.
URL:https://owls.place/event/sound-exploration-fremantle-red-hot-go-with-lyndon-blue/
LOCATION:Sullivan Hall\, 2 Nannine Ave\, White Gum Valley\, WA\, Australia
ATTACH;FMTTYPE=image/jpeg:https://owls.place/wp-content/uploads/2023/10/Red-Hot-Go.jpeg
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BEGIN:VEVENT
DTSTART;TZID=Australia/Perth:20231019T190000
DTEND;TZID=Australia/Perth:20231019T220000
DTSTAMP:20260728T190740
CREATED:20231008T021042Z
LAST-MODIFIED:20231008T021042Z
UID:646-1697742000-1697752800@owls.place
SUMMARY:Outcome Unknown 94: Craig Pedersen Ensemble / Julia Wallace / The Lenny Crevice
DESCRIPTION:Outcome Unknown presents experimental music at the Maylands Yacht Club on October 19.\n\nWith a large ensemble led by Craig Pedersen tapping into sounds of inside and outside spaces; a solo set by singer-songwriter Julia Wallace; and unfixed music for synths\, guitar\, and programmed drums from The Lenny Crevice\, the project of Robert Cook & Andrew Christie.\n\nEntry $10/$15/$20/$25 (pay what you can). The Maylands Yacht Club is a wheelchair accessible venue.\n\nPoster image by Andre Cossio Theather.\n\nAbout:\nOutcome Unknown is an experimental music series that platforms emerging and established artists from diverse musical backgrounds. In 2018 it received a nomination for Industry Representative of the Year at the West Australian Music Awards.\n​\nOutcome Unknown gratefully acknowledges the support of Tura New Music.
URL:https://owls.place/event/outcome-unknown-94-craig-pedersen-ensemble-julia-wallace-the-lenny-crevice/
LOCATION:Maylands Yacht Club\, East St\, Maylands\, WA\, 6051
ATTACH;FMTTYPE=image/jpeg:https://owls.place/wp-content/uploads/2023/10/OU94.jpeg
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DTSTART;TZID=Australia/Perth:20231014T193000
DTEND;TZID=Australia/Perth:20231014T210000
DTSTAMP:20260728T190740
CREATED:20230702T102629Z
LAST-MODIFIED:20230731T073617Z
UID:330-1697311800-1697317200@owls.place
SUMMARY:WAAPA Composition & Music Technology presents: Shock of the New
DESCRIPTION:New voices and new sounds abound as WAAPA’s Composition and Music Technology students share their original compositions for acoustic and electronic instruments in an exciting showcase of new music at its best: creative\, innovative and exceptional. \n\n\n\n\n\n\n\nAccessibility: \n\n\n\n 
URL:https://owls.place/event/waapa-composition-music-technology-presents-shock-of-the-new/
LOCATION:Richard Gill Auditorium\, Building 1\, Room 110 (1.110)\, Western Australian Academy of Performing Arts\, 2 Bradford St\, Mount Lawley\, WA\, 6050
ATTACH;FMTTYPE=image/jpeg:https://owls.place/wp-content/uploads/2023/07/DSCF6374-scaled.jpeg
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