ALT. pres VIDEOPOLIS [FR] & PTMC
2026-03-22 18:30 - 22:00 (Australia/Perth) | The Rechabite Hall, 224 William St, Northbridge, WA, 6003, Australia
VOLTA [live electronics] PRESENTS VIDEOPOLIS [FR]
World renowned French audiovisual artists Franck Vigroux and Antoine Schmitt present their new live performance VIDEOPOLIS.
A powerful live audiovisual duo, blending intense electronic sound with generative visual systems. Vigroux’s raw, physical approach to electronic music meets Schmitt’s algorithmic and conceptual visual art, creating performances that explore tension, rhythm, and control. Together, they craft immersive, high-impact AV experiences where sound and image interact as a single, evolving structure. Their very last work Videopolis emerges from the chaos of a world overwhelmed by images corrupted by dark forces. These images saturate both the visual and cognitive fields to better manipulate the masses, rendered docile. Toxic algorithms metastasize all truths ; blur spreads across perception, and viewpoints cancel one another out. This raises a fundamental question : how can Vidéopolis be countered?
With support from local composer/producer PTMC.

ACCESSIBILITY: Note that strobe lights are used in this event.

Outcome Unknown
2026-03-26 19:00 - 21:30 | Maylands Yacht Club, East St, Maylands, WA, 6051
On March 26, come down to the Maylands Yatch Club for Outcome Unknown. Featuring:Jane Stark & Craig Pedersen ~ percussion & bass imbricationsRobert Cook ~ minimal ambient guitarMani Mae Gomes & Ainslie Allan ~ movement and vocalisations7pm, Thursday 26 MarchEast Street, MaylandsThe club is a wheelchair accessible venueEntry: $15/$20/$25/$30 (pay what you can)BYO

Audible Edge '26 Program Launch
2026-04-09 18:00 - 21:00 | Patio, 4/3-13 Essex St, Fremantle, WA, 6160, Australia
“The best thing in Boorloo every year.”
“The only festival I’ve been to that leaves me with more energy after a set than when I arrive.”
“Just joyful. I could not fault anything with the way it was run.”
Audible Edge (AE) returns for 2026! Be the first to hear about the AE’26 program by attending our program launch at Patio Bar in Walyalup/Fremantle.
Audible Edge is an artist-led, international festival of exploratory music. It’s held annually on Whadjuk boodja since 2017. This year it will take place entirely in Victoria Hall in Walyalup/Fremantle from May 1 to 3. That’s three days overflowing with extremely good and strange music, a wholesome, warm atmosphere, dances, treats, sessions and strolls.
For the program launch, we’re pleased to invite Rose KB (Fringe World Tour Ready Award, 2026) to host a live talk show, throwing curveball questions at your festival curators and artists from this year’s program. A fun, slightly unhinged way to get an insider’s look at what will happen in this year’s festival. Come gather with us and make your festival plan with your mates.
Before and after the interviews, hang out, read the program together, have something to eat and drink and enjoy selections and improvisations by Ben Aguero & Nelson Mondlane of Myriad Sun.
The launch event is free, but you can nab an advance festival pass now, or donate to the Audible Edge Seed Fund to help make new works by WA artists happen in this year’s festival. (You may note that this event’s program consists of two past Seed Fund artists 💪).
Event schedule
6:00pm — Myriad Sun DJs
7:00pm — Rose KB & special guests
8:00pm (ish) — Myriad Sun DJs
9:00pm (ish) — fin.
The venue is open from 4pm—late; you’re most welcome to come early and stay after.
Accessibility

Patio Bar is wheelchair accessible. The space will likely be crowded and busy, so please consider and prioritise access for the people around you. There will be some dedicated free spaces for mobility aid-users, who are also welcome to change these seating arrangements around. Be conscious of not standing/leaving your things in places that might block accessibility for others.
The space is well-ventilated and open to the outdoors.
Alcoholic and non-alcoholic drinks, and food, are available at the venue (menus on their website).
Lighting will be dim and warm. No strobes or fast flashing lights will be used.
The music may be loud and stimulating at times.
Seating is available throughout the space (bar stools and lower table seating). The event will likely involve a seated audience closer to the performance, with bar stools and standing room further back, and more seating in the outdoor area.
Tone List have a small accessibility budget set aside for any attendees who need financial assistance in order to attend. That could be to pay a support person to come with you, or to get an uber to and from the venue door. Get in touch with us at info@tonelist.com.au.

Acknowledgments
Tone List operates on Whadjuk Noongar boodja: sovereign Country for eternity. We pay respects to Elders and custodians across time. We dream of a culture of sounding & listening which supports restorative justice and the Lore of the land.
Tone List and AE’26 are principally supported by the WA government through the Department of Cultural Industries, Tourism & Sport (CITS), with additional support from the City of Fremantle, the Australian Cultural Fund, Audio Foundation, Liquid Architecture, Culture Ireland and Fremantle Small Projects.
Graphic design by Michael Gunson (Mike Midnight).

Jsuk Han - Organs, Breathes, Salt
2026-04-24 - 2026-04-26 | The Naval Store, 141 Queen Victoria St, Fremantle, WA, 6160, Australia
A site-specific sound installation in which the Naval Store becomes a living organ. Acoustic feedback loops are generated and modulated by interconnected systems: real-time Fremantle weather data — wind speed, humidity, temperature and atmospheric pressure — flocking algorithms that govern the collective behaviour of sound across space, and the resonant frequencies of the microphones and the building itself.
Found objects suspended from the ceiling trusses act as speaker units, connected by cables radiating from a central control system. The installation evolves slowly and unpredictably over the exhibition period, accumulating and shifting like salt itself.
‘Organs, Breathes, Salt’ is an outcome from the ongoing Walyalup Fremantle Arts Centre and Incheon Art Platform Artist in Residence reciprocal exchange.

Opening hours:
Friday 24 April 2026
Doors 6pm, Live Performance 7pm
Jsuk Han will be collaborating with Raras Sukardi (clarinettist) and Sage Pbbbt (ritual vocalist) during the live performance.
Saturday 25 April, 1-7pm
Sunday 26 April, 1-7pm
Audiences are invited to view the site-specific installation and Jsuk Han will be present to discuss the residency exchange and project.
JSUK HAN
Jsuk Han is an artist working across sound, sculpture and installation, with a practice grounded in feedback, resonance and spatial listening. Using self-built audio systems, Han creates site-responsive works that make audible the often-unseen relationships between place, memory and environment.
ABOUT WALYALUP FREMANTLE ARTS CENTRE RESIDENCIES
WFAC’s Studio Program offers artists across all disciplines the opportunity to explore and develop their work within a vibrant and supportive environment. Residencies range from one to six months, and artists are provided a studio best-suited to their practice. The program fosters innovation and collaboration, creating a dynamic community for artistic exploration.
ABOUT INCHEON ART PLATFORM
Incheon Art Platform is a contemporary arts complex located in the historic port area of Haean-dong, Jung-gu, Incheon. Housed within renovated heritage buildings, IAP supports national and international artists through a diverse residency program spanning multiple creative disciplines.

Audible Edge Festival of Exploratory Music
2026-05-01 18:00 - 2026-05-03 21:00 | Victoria Hall, 179 High St, Fremantle
“The best thing in Boorloo every year.”
“The only festival I’ve been to that leaves me with more energy after a set than when I arrive.”
“Just joyful. I could not fault anything with the way it was run.”
AE is an artist-led, international festival of exploratory music. It’s held annually on Whadjuk boodja since 2017. It includes delightfully strange songs, forward-thinking club sets, brazenly weird experiments, bracing noise, virtuosic improvisation, anti-virtuosic improvisation, listening through dancing, new directions for ancient music, dinners, treats and strolls.
Our mission is to make a low pressure, fun atmosphere, and a powerful, attentive listening culture. We carefully curate a program of stuff that is really good, putting little-known experimentalists on a prominent stage. We invite you to experience a festival with no headliners, that is more about realness, kindness and building culture together.
In a radical and unprecedented turn (🤪), AE’26 is all in one venue: Victoria Hall in Walyalup. We’re taking over the whole space, with room for impromptu participatory play, resting or dining between sets, courtyard boogies or massive sets in the main hall. If AE has a theme this year it is “ease”: the festival is still Quite The Journey, but everything you need is close to hand.

Program & Lineup

So far we have announced only our four Seed Fund artists: amby downs (Naarm), Simon Charles & John Kinsella, Lia T & R. Glacken, and Saskia Willinge with Uma Volkmer (Warrang) & Naoko Uemoto. Donate to support new work by these artists now via the Australian Cultural Fund – all donations above $2 are tax deductible.

The full program will go live at 6PM AWST on April 9, 2026. Come to the Program Launch event at Patio.

Accessibility

Victoria Hall is an 8 minute walk from Fremantle Station (about 550m) over footpaths and paved roads. 915 and 502 bus routes stop immediately outside the venue.
Victoria Hall is wheelchair accessible. Some steps separate the bar from the outdoor courtyard, however there is an alternative accessible pathway around the other side of the main hall. We’re currently looking into a ramp for these steps.
The music in the festival is extremely diverse, ranging from extremely quiet, minimal music to loud, repetitive and rhythmic music, noise and drone. Each set is succinctly described in the program to help you decide whether something is for you.
Lighting is a mixture of natural light and warm, ambient light. No lights flashing faster than 5Hz, projections, or strobe lights are used in the festival.
There is a dedicated quiet, low-stim space in the venue. There are also indoor and outdoor social spaces which can be used for a rest between or during sets.
Snacks are available during morning programs, and dinner is available for purchase inside the venue in the evenings. Lunch is best found by going for a short stroll, there’s plenty close by in Fremantle.
We have a small accessibility budget set aside for any attendees who need financial assistance in order to attend. That could be to pay a support person to come with you, or to get an uber to and from the venue door. We encourage disabled folks to get in touch with us to have a chat if you require financial support in order to make your attendance more comfortable.

Acknowledgments
Audible Edge is a project of Tone List, a Boorloo-based label for exploratory music founded in 2016.
Tone List operates on Whadjuk Noongar boodja: sovereign Country for eternity. We pay respects to Elders and custodians across time. We dream of a culture of sounding & listening which supports restorative justice and the Lore of the land.
Aboriginal and Palestinian folks are welcome to flexible-price or free tickets to our program as a token of our acknowledgment of their continuing struggles for justice.
Tone List and AE26 are principally sponsored by the WA government through the Department of Cultural Industries, Tourism & Sport (CITS), with additional support from the City of Fremantle, Liquid Architecture, the Audio Foundation, Culture Ireland, and Fremantle Small Projects.
Graphic design by Michael Gunson (Mike Midnight).

VHS Tracking presents time space motion / Re-Recorder, curated by Tone List
2026-05-20 18:30 - 21:00 | Goolugatup Heathcote, 58 Duncraig Rd, Applecross, WA, 6153, Australia
Tone List is pleased to be invited to present a program in VHS Tracking this year!
“Film critic, zine-maker and Boorloo movie scene stalwart Tristan Fidler has assembled another unique lineup of guest presenters from across our eclectic arts scene, with each selecting a film (or two!) to share and discuss. Expect anything from DIY, local and experimental productions, to new wave classics, international festival hits and divisive Hollywood gems.”
Tone List selections include the near-silent study of light & time, “time space motion” by Shinkan Tamaki (2017), and the ‘imageless film’ “Re-Recorder” by Joshua Bonnetta & Judith Hamann (2021), in a bid to equally annoy fans of film and music alike! In all seriousness they are both incredible works and we’re excited to share them.

Sound Spectrum 26.1
2026-05-29 19:00 - 21:00 | McCusker Recital Hall (WAAPA), ECU City, 500 Wellington Street, Perth, WA, 6000, Australia
Experience an inspiring evening of fresh musical creativity as WAAPA’s Composition and Sonic Arts students present new works for acoustic and electronic instruments.
Celebrating the imagination and versatility of emerging composers and performer-composers, this concert highlights the breadth of WAAPA’s renowned Composition and Sonic Arts program – one of the largest and most innovative in Australia. The program includes original music for chamber ensembles, the hearNOW Art Orchestra, film and multimedia collaborations, interactive sound works, and genre-crossing experiments spanning concert, electronic, popular, jazz, and stage music.

Arrival Festival x Tone List present Oren Ambarchi (DE/AU) & Pale Ribbons Tossed Into the Dark
2026-06-01 20:00 - 22:00 | Wyola Club, 81 High St, Fremantle, WA, 6160, Australia
Oren Ambarchi is an Australian multi-instrumentalist based in Berlin whose practice focuses on the exploration of the guitar. He is a prolific solo artist and consummate collaborator who has performed and recorded with a diverse array of artists over the last three decades including; Fennesz, Charlemagne Palestine, Sunn 0)), crys cole, Thomas Brinkmann, Keiji Haino, Alvin Lucier, John Zorn, Annea Lockwood, Alvin Curran, Loren Connors, Manuel Gottsching/Ash Ra, Merzbow, Jim O’Rourke, Keith Rowe, David Rosenboom, Akio Suzuki, Phill Niblock, John Tilbury, Richard Pinhas, Evan Parker, Fire! and many more. He has released numerous recordings over the years for labels such as Touch, Editions Mego, Drag City, PAN, Kranky, Staubgold and Tzadik. Since 2009 Ambarchi has run the Black Truffle record label. Ambarchi’s latest album (together with Johan Berthling and Andreas Werliin) is Ghosted III released via US label Drag City.
Joined by Pale Ribbons Tossed Into The Dark. This event is proudly co-presented by Tone List, a Boorloo-based label for exploratory music. Tone List’s operations are supported by the WA government.

Lydia Lunch performs the songs of Suicide & Alan Vega
2026-06-25 20:00 - 23:00 | The Milk Bar, 981 Beaufort St, Inglewood, WA, 6052, Australia
New York – No Wave Queen, Lydia Lunch – returns to Australia to perform the songs of synth – punk band, Suicide and Alan Vega.
Lydia will be joined on stage by Andrew Coates of much loved Melbourne electro trio, Black Cab to commemorate the 10th anniversary of Alan Vega’s passing + special guests.
Lunch originally met Suicide – the duo of late vocalist Alan Vega and multi-instrumentalist Martin Rev – in the 1970s, when Lunch moved to New York City from Rochester as a teenager. She formed a lifelong bond with the pair, often joining them on-stage to perform the song ‘Frankie Teardrop’ and recording a duet as part of Vega’s solo album Sniper. Since Vega’s passing in 2016, Lunch has performed several Suicide tribute shows, most often with Marc Hurtado.
Having previously never performed the show in Australia, Lydia surprised fans on a night off in Melbourne during her 2024 Spoken Word tour with an impromptu appearance at the Tote. It sold out in 3 days so she decided to bring it back for Vega’s anniversary in 2026.
Passionate, sexual, confrontational and bold, Lunch, Vega and Rev are all cut from the same grimy cloth of 1970s New York. This show is more than a tribute. It’s an offering.

Oddbods #2 w/ Anaxios, MGMGMGMG and DJ Friends
2026-06-26 17:00 - 23:00 | 399 Bar, 399 William St, Northbridge, WA, Australia

Music at Nanulgarup #1 - residues of a dreamworld
2026-06-28 15:00 - 17:00 | Gallop House, 22 Birdwood Parade, Dalkeith, WA, 6009, Australia
As part of my* residency at Nanulgarup/gallop house, I will be hosting four gatherings at the house to eat and drink together, and listen to some music by outstanding local independent musicians. Each event will make use of the house’s baby grand piano.
The ticket price includes drinks and ambitious home-cooked food (afternoon tea for the 3pm events, and dinner for the 6pm ones). I am very pleased to say that this edition of house concerts will be catered in collaboration with Braddy Breadcrumbs (iykyk). All meals will endeavour to cater to common dietary needs (vegan/gluten free), if you have any specific dietary needs or allergies, please contact me to let me know.
Tickets are strictly limited to 20 per event as the concert room is not very big.
Four concerts in total, see the program below.

Program

Jun 28, 3pm – residues of a dream world

Experimental compositions for quartet, present and committed, played by an unlikely assemblage of some of Boorloo’s most rigorous composer-performers. The debut of this ensemble!
w/ Craig Pedersen (trumpet)
Alice Humphries (piano)
Sage Pbbbt (voice), and
Mary Rapp (double bass)

https://craigpedersen.com/

zigzag & Randy House presents Vegetable Machine Animal (NZ)
2026-06-29 19:30 - 23:00 | Buffalo Club, 54 High St, Fremantle, WA, 6160, Australia
📣zigzag & Randy House presents 📣
A night of heavy experimental sound, live improvisation, underground noise and fuzzed-out rock.
Closing out his Australia and Aotearoa New Zealand tour,
VEGTABLE MACHINE ANIMAL lands in Freo for the final stop.
Led by Wellington drummer/percussionist Kieran Monaghan, VMA is an interspecies improvisational trio using modular synths connected to living plants and fungi, transforming organic electrical signals into spontaneous, rhythmic and unpredictable sound.
Joining the bill are:
🍄 Perth 4 piece LOTUS, bringing heavy Drop C riffs, fuzzed-out stoner rock and desert-dust intensity
🍄 New band SENSORY FRENZY, made up of some fine humans from MOYAMOYA, DETH, FALSE COBRA, FROZEN OCEAN and INJURED NINJA, delivering loud, abrasive and joyfully unhinged energy.
WHEN >> Monday 29 June
WHERE >> Buffalo Club Fremantle
DOORS >> 730pm // 15$ General // 10$ Members

Noizemaschin!! 173
2026-06-30 19:00 - 22:00 | The Bird, 181 William St, Northbridge, WA, 6003, Australia
It’s time for NoizeMaschin!!! 173
The June edition with NZ based founder of Skirted Records, ‘interspecies trio’ vegetable.machine.animal. You can expect drums, modular synth with a biofeedback module, fungi and plants.
We are also delighted to announce!
CCCXXXIII and Jessie Smoor
Elias Farben
Furchick
spiderlight – new collaboration with Lesley Kaye, Kate Makowiecka and Sage Pbbbt
The Pianos – Matthew Jones and Lyndsay Vickery
We look forward to seeing you at the Bird on Tuesday June 30th. Doors from 7pm. $15 / $10

Boring Divine & Goolugatup Sounds pres. Dreamspeed, Wittenoom, Memory Noise Software Body
2026-07-01 18:30 - 22:00 | Goolugatup Heathcote, 58 Duncraig Rd, Applecross, WA, 6153, Australia
Goolugatup Sounds and Boring Divine come together on Wednesday, July 1 to bring you an evening of experimental and heavy music, presented alongside ‘Accursed Sharing’ – an exhibition concerned with tension, obsession, viscera and excess, currently on display in Gallery 1.
⧾ 𝔣𝔢𝔞𝔱𝔲𝔯𝔦𝔫𝔤 ⧾
Dreamspeed [Depressive, blackened doom]
Wittenoom [Post-industrial, experimental metal/noise quartet]
Memory Noise Software Body [Emo ambient computer noise]
⧾
The lineup weaves the mercurial nature of Goolugatup’s wide-reaching live concert series with Boring Divine’s hawkeyed focus on WA’s avant-heavy underground.
We’re pleased to present three local acts on the forefront of a new, alternative sound: intertwining blackened doom, harsh noise, and ambient electronics across three distinct live sets.
⧾
Wednesday, July 1
6.30pm @ Goolugatup Gallery
Free Entry – RSVP is linked in bio
All ages [under 18s with guardian]ִֶָ
poster design by Remi Dreyer

Face the Music III
2026-07-02 17:00 | The Bird, 181 William St, Northbridge, WA, 6003, Australia
・・・・・・ꜰᴀᴄᴇ ᴛʜᴇ ᴍᴜꜱɪᴄ ɪɪɪ
ᴘʀᴇꜱᴇɴᴛᴇᴅ ʙʏ ᴅᴏᴜʙʟᴇ ʜᴀᴘᴘɪɴᴇꜱꜱ
・・・・・・・・・・・・・・・
・・・・・ʟɪᴠᴇ ᴘᴇʀꜰᴏʀᴍᴀɴᴄᴇꜱ ʙʏ
ʀᴀᴅɪᴀ ᴠꜱ ᴍ-ɴᴇᴛ ・・・・・・・・
[ᴍᴏᴅᴜʟᴀʀ ꜱʏɴᴛʜ ɪɴᴅᴜꜱᴛʀɪᴀʟ ᴛᴇᴄʜɴᴏ]
ꜱᴛᴇᴡ ʙᴀɢꜱ ・・・・・・・・・・
[ᴍᴏᴅᴜʟᴀʀ ꜱʏɴᴛʜ ᴇxᴘᴇʀɪᴍᴇɴᴛᴀʟ ꜱʟᴜᴅɢᴇ]
・・・・・・・・・・・・・・・
・・・・・・・・・& ꜱᴇʟᴇᴄᴛᴏʀꜱ
ᴍᴇᴛʀᴏꜱᴇxᴜᴀʟ ꜱᴛᴀᴛɪᴏɴ・・・・・・
・・・・・ ᴅᴊ ᴀꜰᴛᴇʀᴘᴀʏ & ᴅᴊ ᴍᴀᴛᴛ
ᴀʀᴀʙᴇʟʟᴀ・・・・・・・52 ɢɪʀʟꜱ
・・・・・・・・・・・・・・・
・・・・・０２．０７．２６
・・・・・５－ＬＡＴＥ
・・・・・＄１５ ＥＮＴＲＹ
・・・・・＠ ＴＨＥ ＢＩＲＤ

Jimi DePriest - Open Studio
2026-07-11 12:00 - 17:00 | Cool Change Contemporary, Level 2 (Kings Complex) 533 Hay Street, Boorloo/Perth, WA, 6000
Concluding the first of four residencies in our 2026–27 Residency Program, Cool Change is excited to present an open studio with Jimi DePriest, featuring an artist talk facilitated by Samuel Beilby—artist, occasional musician, and co-founder/co-director of _____g.s (aka Underscore Gallery & Studios).
With assistance from Matthew Taggart and conceptual input from Lia T, Jimi has been developing an audiovisual installation inspired by ‘clutter rejection’—an adaptive method observed in echolocating bats—for presentation at _____g.s later in the year.
A wire framework, abstractly modelled on the anatomical features of bats, will suspend a 5-channel stereo system attached to a motor and including an interactive system with conductive textile components and input sensors. Field recordings and gritty beats will be controlled by the system and its various inputs through SuperCollider.
From its hardware and software to its audio components, the work considers the bat’s ambiguous subjectivity in an attempt to approximate environmental feedback between its natural sonic world and anthropogenic noise pollution, problematising and reconfiguring echolocation as a site of artistic inspiration and technological invention.

This program is proudly supported by the WA Government.
Cool Change is supported by the Visual Art, Craft and Design Framework, an initiative of the Australian, State and Territory Governments.

Jimi DePriest - Supercollider Workshop
2026-07-12 14:00 - 17:00 | Cool Change Contemporary, Level 2 (Kings Complex) 533 Hay Street, Boorloo/Perth, WA, 6000
Following their open studio and artist talk, Jimi DePriest will present a Sunday afternoon workshop on SuperCollider—an open-source software environment and dynamic programming language used by musicians, artists, and researchers working with sound for audio synthesis and algorithmic composition.
The 3-hour workshop is intended to provide participants with an introduction to the audio program ahead of producing a practical outcome. The first hour will consist of an overview of SuperCollider, while the second hour will see participants develop their own projects to be tested on a 5-channel stereo system in the third hour.
Please note:
Registered participants will need to bring a laptop with SuperCollider pre-installed to the workshop, along with a laptop charger. The software is free, and download/install instructions will be emailed in advance of the course.
While the workshop doesn’t require prior experience with SuperCollider, we suggest that participants have a competent understanding of their laptop and its OS, as well as a basic knowledge of acoustics and digital audio.

Music at Nanulgarup #2 - Michael Terren
2026-07-12 15:00 - 17:00 | Gallop House, 22 Birdwood Parade, Dalkeith, WA, 6009, Australia
As part of my* residency at Nanulgarup/gallop house, I will be hosting four gatherings at the house to eat and drink together, and listen to some music by outstanding local independent musicians. Each event will make use of the house’s baby grand piano.
The ticket price includes drinks and ambitious home-cooked food (afternoon tea for the 3pm events, and dinner for the 6pm ones). I am very pleased to say that this edition of house concerts will be catered in collaboration with Braddy Breadcrumbs (iykyk). All meals will endeavour to cater to common dietary needs (vegan/gluten free), if you have any specific dietary needs or allergies, please contact me to let me know.
Tickets are strictly limited to 20 per event as the concert room is not very big.

July 12, 3pm – Michael Terren

A rare chance to hear the bright and expansive mind of Michael Terren up-close on his first instrument (the piano). Possibly the first concert of this kind for Michael since the release of his important album ‘It ends in a crypt’, which is a set of compositions made on Ross Bolleter’s ruined pianos.

https://michaelterren.bandcamp.com/

Outcome Unknown #112
2026-07-23 19:00 - 22:30 | Buffalo Club, 54 High St, Fremantle, WA, 6160, Australia
Outcome Unknown in Walyalup. Come down to the Buffalo Club on July 23 for the music of:
🔥 NeapolaXi
🔥 Failing Upwards
🔥 Caustic Gauze
+ Fanzine launch : The New Hesperian Issue 5
▪️
7pm, Thursday 23 July
Buffalo Club Fremantle (main room)
54 High St, Walyalup
The main room of the club is wheelchair accessible.
Entry: $15/$20/$25/$30 (pay what you can)
▪️
New Hesperia is a print-only magazine focused on Perth arts and music.
Outcome Unknown is a bi-monthly series of experimental music running since 2016.
Poster by The New Hesperian

Music at Nanulgarup #3 - Nika Mo
2026-07-25 18:00 - 21:00 | Gallop House, 22 Birdwood Parade, Dalkeith, WA, 6009, Australia
As part of my* residency at Nanulgarup/gallop house, I will be hosting four gatherings at the house to eat and drink together, and listen to some music by outstanding local independent musicians. Each event will make use of the house’s baby grand piano.
The ticket price includes drinks and ambitious home-cooked food (afternoon tea for the 3pm events, and dinner for the 6pm ones). I am very pleased to say that this edition of house concerts will be catered in collaboration with Braddy Breadcrumbs (iykyk). All meals will endeavour to cater to common dietary needs (vegan/gluten free), if you have any specific dietary needs or allergies, please contact me to let me know.
Tickets are strictly limited to 20 per event as the concert room is not very big.
July 25, 6pm – Nika Mo

Ambitious, achingly beautiful indie folk with a fiercely creative, avant-garde streak. Previously spotted mostly with a guitar, this concert is all newer material centring the piano and Nika Mo’s formidable mezzo-soprano voice. Joined from song-to-song by some members of her band (but not all of them because they won’t all fit in the room).

https://nikamo.bandcamp.com/

Tone List celebrates 10 years
2026-08-07 18:30 - 23:00 | Wyola Club, 81 High St, Fremantle, WA, 6160, Australia
We are elated to invite you to celebrate Tone List’s ten-year anniversary with us!
Tone List is a Boorloo-based label for exploratory music, founded in 2016. Artist run forever, we’ve released over forty albums, put on eight festivals, invited dozens of international guests to play in town, put on hundreds of gigs, produced an opera, hosted regional tours and artist retreats, paid tens of thousands of dollars to artists, and won a bunch of awards.
We cross this milestone as a collective that remain in dear friendship, and which has grown to include a host of lovely people helping us both in the lofty realms of governance and curation and with boots on the ground making shows happen.
We look to the future as an organisation that wants to use what we’ve patiently established to pour resources and support into the underground scene. This show is a celebration, and also an occasion where we hope to garner your support to keep doing this thing.
As for the night itself: we will have lots of extremely good live music from friends old & new, food & drinks, birthday cake, merch, and antics. A warm space that prioritises close listening to the music, and kindness and playfulness between the sets. And weirdness all through-out 😎.
Performing on the night:
Wayang – DJ sets
Mary Rapp & Ben Greene – amplified cello & drums
Sage Pbbbt – solo amplified voice
Clouds Come Rain & Basic Mind – electric guitar & electronics
and the Tone List Family Band & Friends, an orchestral improvisation ft. Jameson Feakes (guitar), Lenny Jacobs (drums), Annika Moses (voice), Josten Myburgh (saxophone) & Dan O’Connor (trumpet), joined by collaborators from across Tone List’s history.
Also taking part:
Josh Wells – photography installation
Kate Makowiecka and Braddy Breadcrumbs – dinner (vegan, by donation)
Teeter – birthday cake
& more special guests to be announced.
Plus merchandise packages from Tone List and our new anniversary book publication, TL10Y.
ACKNOWLEDGMENTS
This anniversary event is hosted as part of WA Music Week and is proudly supported by the Western Australian government and WAM, with thanks for the support.
Tone List operates on Whadjuk Noongar boodja, sovereign Country for eternity.
ACCESSIBILITY
Wyola is accessible via stairs or a lift, through the same entranceway.
We supply free earplugs, some emergency medication (i.e. anti-opioids) and a little box of nice/helpful things like lip balm, mints etc. if you need anything throughout the night.
Mixed seating options are available (couches, chairs, soft furnishings, and floor seating). It’s OK to move around during the performances.
The performance space will be fairly dark and lit with stage lighting, whilst the bar will be more warmly lit. Some haze will be in use in the performance space.
No dedicated quiet/check-out space is available, but we will set up a few quiet corners in the venue, both in the performance space and in the bar.
All of the sets are amplified through the PA system and range from medium-volume electronic/ambient music to loud, raucous and noisy improvisation.
If you have any questions please feel free to contact us at info@tonelist.com.au

Music at Nanulgarup #4 - Lia T & Stina
2026-08-09 18:00 - 21:00 | Gallop House, 22 Birdwood Parade, Dalkeith, WA, 6009, Australia
As part of my* residency at Nanulgarup/gallop house, I will be hosting four gatherings at the house to eat and drink together, and listen to some music by outstanding local independent musicians. Each event will make use of the house’s baby grand piano.

The ticket price includes drinks and ambitious home-cooked food (afternoon tea for the 3pm events, and dinner for the 6pm ones). I am very pleased to say that this edition of house concerts will be catered in collaboration with Braddy Breadcrumbs (iykyk). All meals will endeavour to cater to common dietary needs (vegan/gluten free), if you have any specific dietary needs or allergies, please contact me to let me know.
Tickets are strictly limited to 20 per event as the concert room is not very big.

August 9, 6pm – Lia T & Stina

Something like the rainbow you get diffracting light through ambient, electro-acoustic and pop song forms. Two beloved people in the independent scene in an endearing, magical and rarely outed collaboration.

https://daisyrecordings.bandcamp.com/track/a-window
