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X-WR-CALDESC:Events for Out West Liminal Sounds
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DTSTART;VALUE=DATE:20250405
DTEND;VALUE=DATE:20250804
DTSTAMP:20260727T134655
CREATED:20250411T002138Z
LAST-MODIFIED:20250605T025500Z
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SUMMARY:Revivification
DESCRIPTION:Revivification is an extraordinary immersive exhibition combining sound and cutting-edge biological innovation to bring to life the musical genius of a deceased composer. \nFour years in the making\, Revivification delivers a historic first: the in-vitro (external) ‘brain’ of the late composer Alvin Lucier (1931-2021) creating a new work in real time\, as a live performance over the duration of the exhibition. \nIt is developed by artists Guy Ben-Ary\, Nathan Thompson and Matt Gingold with neuroscientist Stuart Hodgetts based at the University of Western Australia (UWA)\, who have individually spent 25 years pushing boundaries in the biological arts. \nThe physical realisation of Revivification began in 2020 when Alvin Lucier donated his blood for the project. His blood was sent to Harvard Medical School where his white blood cells were reprogrammed into stem cells – the fundamental building blocks of Revivification\, using a process called Induced Pluripotent Stem Cell (IPSC) technology. Then\, the Revivification Team transformed (differentiated) Lucier’s stem cells into cerebral organoids: three-dimensional structures that resemble a developing human brain. \nAlvin Lucier stood among the giants of 20th-century experimental music. He transformed how we think about composition by shifting focus from traditional musical elements to the physical properties of sound itself. His work with brain waves\, echolocation\, and room acoustics blurred the lines between music\, science\, and art – an approach that spoke to the artists and researchers at UWA. \nAt the heart of the installation stands a sculptural object that encapsulates the incubator housing Lucier’s ‘in-vitro brain’\, living outside\, and beyond his body (the term ‘in-vitro’ comes from the Latin for ‘in glass’). \nLining the walls are 20 large\, curved brass plates that are both sculptural and the source of the immersive sound environment. Each of the plates is directly connected to the neural activity of Lucier’s brain organoid. As the ‘in-vitro brains” signals pulse through transducers and actuators\, they strike the brass\, creating complex\, sustained resonances that fill the space with sound.
URL:https://owls.place/event/revivification/
LOCATION:Art Gallery of Western Australia\, Perth Cultural Centre\, Perth\, WA\, 6000\, Australia
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DTSTART;TZID=Australia/Perth:20250731T193000
DTEND;TZID=Australia/Perth:20250731T220000
DTSTAMP:20260727T134655
CREATED:20250717T014856Z
LAST-MODIFIED:20250717T014856Z
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SUMMARY:Tone List & jade//vision present I Hold The Lion's Paw\, Phil Stroud & Adam Halliwell
DESCRIPTION:“a beguiling stew of afro-beat\, jazz-rock-inflected postbop\, and electro-acoustic noise.” (The Wire) \nTL 🤝 j//v \nBuoyed by our shared love of improvisation and forward-thinking jazz\, Tone List & jade//vision are hosting a cosy night of left-field rhythmic music together in The Corner Room (inside Ode To Sirens). \nInfluenced by Ornette Coleman\, Laurie Anderson\, Jon Hassell and afrobeat\, Naarm-based quartet I Hold The Lion’s Paw play rhythmic music that joins effected trumpet\, voice\, polyrhythmic drums & guitar into a psychedelic melting pot. Ahead of outing their latest record\, Potentially Interesting Jazz Music\, we look forward to a debut west-coast set that grooves and trips in equal measure 💥 \nGuitarist Adam Halliwell (of Mildlife) and percussionist Phil Stroud met during Phil’s stint in Naarm. Recently returned\, this is a rare occasion to experience their musical camaraderie in Walyalup\, which draws on similar Fourth World influences alongside ambient\, dub and jazz fusion. \nJoin us earlier in the night and between sets for some mood-setting selections from cash promise. \nTickets $30/$20 via Humanitix with a flexi/accessible pricing option available! \n  \nACCESSIBILITY\nWheelchair accessible\nFood & drinks available for purchase\nRhythmic\, percussive music with some slow atmospheric passages\, as well as quirky\, unpredictable ones\nDim\, moody lighting\nSeating available (cushions\, rugs & chairs)\nMay feel a tad crowded in the space\n500m from the nearest train/bus station\nACROD parking near the Roundhouse at the end of High St \n  \nSAFETY\nBringing community together and creating a fun\, inclusive and safe environment for EVERYONE is at the heart of what jade//vision and Tone List do. \nWe will not tolerate any unfriendly\, aggressive or offensive behaviour. If at any point you feel unsafe or uncomfortable please talk to Josten (Tone List)\, Tash (jade//vision) or the bar staff.
URL:https://owls.place/event/tone-list-jade-vision-present-i-hold-the-lions-paw-phil-stroud-adam-halliwell/
LOCATION:Ode to Sirens\, 25 High St\, Fremantle\, WA\, 6160\, Australia
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