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DTSTART;VALUE=DATE:20250405
DTEND;VALUE=DATE:20250804
DTSTAMP:20260727T180529
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SUMMARY:Revivification
DESCRIPTION:Revivification is an extraordinary immersive exhibition combining sound and cutting-edge biological innovation to bring to life the musical genius of a deceased composer. \nFour years in the making\, Revivification delivers a historic first: the in-vitro (external) ‘brain’ of the late composer Alvin Lucier (1931-2021) creating a new work in real time\, as a live performance over the duration of the exhibition. \nIt is developed by artists Guy Ben-Ary\, Nathan Thompson and Matt Gingold with neuroscientist Stuart Hodgetts based at the University of Western Australia (UWA)\, who have individually spent 25 years pushing boundaries in the biological arts. \nThe physical realisation of Revivification began in 2020 when Alvin Lucier donated his blood for the project. His blood was sent to Harvard Medical School where his white blood cells were reprogrammed into stem cells – the fundamental building blocks of Revivification\, using a process called Induced Pluripotent Stem Cell (IPSC) technology. Then\, the Revivification Team transformed (differentiated) Lucier’s stem cells into cerebral organoids: three-dimensional structures that resemble a developing human brain. \nAlvin Lucier stood among the giants of 20th-century experimental music. He transformed how we think about composition by shifting focus from traditional musical elements to the physical properties of sound itself. His work with brain waves\, echolocation\, and room acoustics blurred the lines between music\, science\, and art – an approach that spoke to the artists and researchers at UWA. \nAt the heart of the installation stands a sculptural object that encapsulates the incubator housing Lucier’s ‘in-vitro brain’\, living outside\, and beyond his body (the term ‘in-vitro’ comes from the Latin for ‘in glass’). \nLining the walls are 20 large\, curved brass plates that are both sculptural and the source of the immersive sound environment. Each of the plates is directly connected to the neural activity of Lucier’s brain organoid. As the ‘in-vitro brains” signals pulse through transducers and actuators\, they strike the brass\, creating complex\, sustained resonances that fill the space with sound.
URL:https://owls.place/event/revivification/
LOCATION:Art Gallery of Western Australia\, Perth Cultural Centre\, Perth\, WA\, 6000\, Australia
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DTSTART;TZID=Australia/Perth:20250416T193000
DTEND;TZID=Australia/Perth:20250416T210000
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SUMMARY:A Book of Hours: Rubiks Collective (MEL)
DESCRIPTION:A Book of Hours is a revelatory screen-dance presentation that features stop-motion film\, together with on-stage and filmed choreography. The live classical contemporary soundtrack is performed by the Melbourne-based Rubiks Collective\, Australia’s most dynamic and vibrant new music ensemble. The stop-motion video works are created by visual artist Sal Cooper and choreographer Gerard Van Dyck. Inspired by the mysteries of time and different ideas of how we spend our days\, A Book of Hours combines stop-motion filmed humans and animation on screen\, choreographed musicians and wind-up toys on stage representing the embodied vulnerability of the human form. Taking the medieval Book of Hours as the central concept of the work\, composer Kate Neal references early Baroque influences (Couperin\, Rameau) to reimagine the early canonical divisions of time. \n“Call it dance or art music or just live performance. Whatever it is – A Book of Hours is the best kind of puzzle.” – The Age
URL:https://owls.place/event/a-book-of-hours-rubiks-collective-mel/
LOCATION:Richard Gill Auditorium\, Building 1\, Room 110 (1.110)\, Western Australian Academy of Performing Arts\, 2 Bradford St\, Mount Lawley\, WA\, 6050
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