BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Out West Liminal Sounds - ECPv6.0.11//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Out West Liminal Sounds
X-ORIGINAL-URL:https://owls.place
X-WR-CALDESC:Events for Out West Liminal Sounds
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Australia/Perth
BEGIN:STANDARD
TZOFFSETFROM:+0800
TZOFFSETTO:+0800
TZNAME:AWST
DTSTART:20240101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240315
DTEND;VALUE=DATE:20240418
DTSTAMP:20260728T112812
CREATED:20240310T001004Z
LAST-MODIFIED:20240310T001004Z
UID:944-1710460800-1713398399@owls.place
SUMMARY:Transports (Eduardo Cossio) & extracts from text score archive (Craig Pedersen)
DESCRIPTION:Concurrent exhibitions at Spectrum Project Space featuring the photography and “video scores” of experimental musician Eduardo Cossio\, and the text score archive of composer-performer Craig Pedersen. \n  \n\nOpening: Thursday 14 March\, 5pm–7pm\nExhibition dates: 15 March to 17 April\nBuilding 3\, 2 Bradford Street\, ECU Mount Lawley\n\n\nGallery opening hours:\nTuesday to Friday\, 10am–4pm\nSaturdays March 16 and April 13\, 10am-3pm
URL:https://owls.place/event/transports-eduardo-cossio-extracts-from-text-score-archive-craig-pedersen/
LOCATION:Spectrum Project Space\, 2 Bradford St\, Mt Lawley\, WA
ATTACH;FMTTYPE=image/jpeg:https://owls.place/wp-content/uploads/2024/03/431416313_853150556615499_5511209768819395547_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Perth:20240407T110000
DTEND;TZID=Australia/Perth:20240407T133000
DTSTAMP:20260728T112812
CREATED:20240303T043319Z
LAST-MODIFIED:20240303T043319Z
UID:920-1712487600-1712496600@owls.place
SUMMARY:Audible Edge Night School: Writing as/and experimental sonic cultural practice
DESCRIPTION:This participatory workshop focusses on experimental and critical writing practices\, techniques and histories in their alignment with experimental art and music cultures. It’s an invitation to discover the role and possibility of writing in our underground music community. Any experience levels are welcome. \nWe will explore how writing (including the adjacent areas of art writing\, artists’ writing\, and art criticism) aligns itself with the affective dimensions of music and listening practices. These are practices that might require capabilities of being attentive\, playful\, experimental\, interrogative\, porous\, open\, site-responsive\, and reflective. We will also consider the changing role of critical writing\, reading and self-publishing within contemporary audio art and experimental music cultures and other collaborative artistic spaces that exist in a critical relation to the commodity form. \nParticipants will engage in practice-based reading and writing tasks\, and collaborate in addressing a set of questions\, including: how can writing support the political economy of DIY cultural practice\, working to hold open the indeterminacies of artistic process\, and registering critical and creative zones of refusal and dissent? How can writing practices be part of a tactical toolkit to support a localised scale of community in such spaces? How can it facilitate experimental artistic cultures and practices’ ability to find and retain critical autonomy\, self-determination and self-reflexivity? Can we collectively model an ethics of peer-to-peer transmission and localised distribution of art and work within the wholesale capitalist co-option of the digital social commons? \n\nAccessibility\n\nSally will deliver this workshop online via Jitsi\, from Naarm. Participants are encouraged to attend in-person for post-workshop reflections\, but can also attend purely online. \nThe State Library of Western Australia Geographe Room is a wheelchair accessible venue. It is located on the ground floor. There are numerous wheelchair accessible\, all-gender bathrooms located throughout the library. The event is alcohol-free and all-ages. The room will be brightly and clearly lit. Live captioning can be arranged for the workshop. The workshop will use shared tools: hand sanitiser will be available. The venue is enclosed with no windows that can be opened. It will not be overcrowded\, but depending on in-person attendance numbers\, it may not have spare for more than 1.5m physical distancing.
URL:https://owls.place/event/audible-edge-night-school-writing-as-and-experimental-sonic-cultural-practice/
LOCATION:State Library of Western Australia\, 25 Francis St\, Perth\, WA\, 6000\, Australia
ATTACH;FMTTYPE=image/png:https://owls.place/wp-content/uploads/2024/03/Audible-Edge-Night-School-Thumbs-05.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Perth:20240407T150000
DTEND;TZID=Australia/Perth:20240407T173000
DTSTAMP:20260728T112812
CREATED:20240329T234553Z
LAST-MODIFIED:20240329T234553Z
UID:1021-1712502000-1712511000@owls.place
SUMMARY:RE[COMPOST]
DESCRIPTION:Step into a world where art and nature converge. [RE]COMPOST is an immersive site-specific installation that activates the dystopian “public green space” using cutting-edge generative sound technology. \nBy connecting two diodes to a plant and harnessing a delicate electrical signal\, we unveil the plant’s secrets. Its resistance dances in enigmatic patterns\, responding to touch\, light\, and sound. \nJoin sound artists Leisl Lucerne-Knight and August Pope in ceremonial sonic symbiosis to reignite connections between fellow organisms on Sunday April 7\, 3pm – 5.30pm at a Secret Outdoor Location to be revealed.
URL:https://owls.place/event/recompost/
LOCATION:Alan Thomas Music Shell\, Manning Park\, Hamilton Hill\, WA\, 6163\, Australia
ATTACH;FMTTYPE=image/jpeg:https://owls.place/wp-content/uploads/2024/03/recompost_ver2_creditLeislLK.jpg
END:VEVENT
END:VCALENDAR