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PRODID:-//Out West Liminal Sounds - ECPv6.0.11//NONSGML v1.0//EN
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METHOD:PUBLISH
X-ORIGINAL-URL:https://owls.place
X-WR-CALDESC:Events for Out West Liminal Sounds
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TZID:Australia/Perth
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TZOFFSETFROM:+0800
TZOFFSETTO:+0800
TZNAME:AWST
DTSTART:20230101T000000
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230901
DTEND;VALUE=DATE:20231125
DTSTAMP:20260728T171847
CREATED:20230830T081326Z
LAST-MODIFIED:20230830T084714Z
UID:494-1693526400-1700870399@owls.place
SUMMARY:SINE at Wallace
DESCRIPTION:SINE is the provocation of sound made visual. SINE is a mathematical series where the operation adds infinite quantities to a given equation. Mathematics\, music and visual art expand common threads of thinking and expression around thoughts of order. \nArtist\, musician\, maker combine to mediate expressions through material object\, instrument\, performance\, and the graphic to form the exhibition SINE at Wallace. Each contributor is invited to show an existing work or develop/adapt a concept for the exhibition taking a deep dive into SINE space. \nArtists:\nLeah Curtis \nCat Hope\nRex Bruce\nJonathon Stockman\nSze Tsang\nMatt Dickmann\nEduardo Cossio\nNic Compton\nBill Busfield\nRussel Davey Wossy\nIan Weir\nCameron Robbins\nJames Morton \nMatt Dickmann \nGuest performers:\nStu Thomas \nMiah Smith \nAya Smith \nCurator:\nJon Tarry \nOpening night 1st Sept 2023 6pm – 8pm\n346 William Street\, Perth\nShow runs till 24th Nov 2023
URL:https://owls.place/event/sine-at-wallace/
LOCATION:346 William Street\, 346 William Street\, Perth\, WA\, 6000\, Australia
ATTACH;FMTTYPE=image/jpeg:https://owls.place/wp-content/uploads/2023/08/59709860-8a74-28de-a3cc-fcc8c1818b95.jpeg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20231103
DTEND;VALUE=DATE:20231113
DTSTAMP:20260728T171847
CREATED:20230921T011923Z
LAST-MODIFIED:20230921T012134Z
UID:589-1698969600-1699833599@owls.place
SUMMARY:Fremantle Biennale: The Port's Call
DESCRIPTION:Fremantle’s Inner Harbour will be transformed by The Port’s Call\, an expansive sonic installation by Thomas Supple and Byron J Scullin. Beginning at dawn on the first day of the Biennale and continuing until dusk on Sunday 12 November\, the arrival and departure of each large vessel (regardless of the time of day)\, will be signalled by a bespoke soundscape. \nWith each passing vessel\, a continually changing symphony of sound\, using long-range acoustic technology\, will echo throughout the Port. Stretching across a square kilometre\, from the South Mole into Victoria Quay\, the harbour will become a living stage for this sound experience\, attuned to the rhythms of industry. \nCombining human voices and subtle electronics\, this auditory voyage invites listeners to consider anew the cacophony\, movement and epic orchestra that is our global system of commercial goods. \nResonating across the surfaces of these iconic ocean goliaths\, The Port’s Call is an unrepeatable experience calling us to voyage and this place of safe harbour. \n[Editor’s note: Accessibility details available on the event website.]
URL:https://owls.place/event/fremantle-biennale-the-ports-call/
LOCATION:Victoria Quay & Inner Harbour\, Fremantle Port\, Victoria Quay & Inner Harbour\, Fremantle Port\, Fremantle\, WA\, 6160\, Australia
ATTACH;FMTTYPE=image/jpeg:https://owls.place/wp-content/uploads/2023/09/10.-PORTS-CALL-GalleryColour1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231103
DTEND;VALUE=DATE:20231120
DTSTAMP:20260728T171848
CREATED:20230921T012057Z
LAST-MODIFIED:20230921T012057Z
UID:593-1698969600-1700438399@owls.place
SUMMARY:Fremantle Biennale: Kastoms
DESCRIPTION:Kastoms is a new iteration of Taloi Havini’s Answer to the Call\, an immersive twenty-two speaker installation\, composed in dialogue with contemporary arts practice\, scientific investigation and customary wisdom. \nOriginally created after her residency onboard the R/V Falkor (Schmidt Ocean Institute) and premiered with the TBA21-Academy at Ocean Space\, Venice (2021)\, this significant work is now re-imagined in Australia for the first time\, resounding in a series of cycles specifically for the Old Customs House in Fremantle. \nAn island platform will lie at the centre\, its shape and blue tones will evoke the depth and expanse of our understanding of Oceania from the viewpoint of the artists homeland\, the island of Buka\, Bougainville. Listeners will be absorbed into a meditative and gradual evolving soundtrack\, designed by Hayley Forward. Hydrophone recordings of sea floor sonar mapping are layered with ocean chants and Indigenous instruments composed by musician’s Ben Hakalitz and Mario Celestino. Traversing beyond a scientific lens\, Kastoms utilises an ancient call and response method as an invitation for all to enter a temporal space created for deep-listening and relating. \nLike the ocean\, Kastoms is a work of sensory depth\, ancient dialogues and cultural contemporary resonance. Alongside the installation\, Kastoms will include an intimate live performance and in-conversation between Taloi Havini and collaborating musicians Ben Hakalitz and Mario Celestino. \nTraditional Composition & Instruments: Ben Hakalitz\, Mario Celestino\, Past Hakö elders chants\nComposition & Sound Design: Hayley Forward\nSound Engineer: Felix Abrahams\nSound Mixing: Jeremy Turner\nProducer: Angela Duffy\nOriginally commissioned by the TBA-21 Academy at Ocean Space\, Venice\, 2021. \n[Editor’s note: Accessibility details available via the event website.]
URL:https://owls.place/event/fremantle-biennale-kastoms/
LOCATION:Old Customs House\, 8 Philimore St\, Fremantle\, WA\, 6160\, Australia
ATTACH;FMTTYPE=image/jpeg:https://owls.place/wp-content/uploads/2023/09/8.-KASTOMS-GalleryColour1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231103
DTEND;VALUE=DATE:20231120
DTSTAMP:20260728T171848
CREATED:20230921T012439Z
LAST-MODIFIED:20230921T012524Z
UID:601-1698969600-1700438399@owls.place
SUMMARY:Fremantle Biennale: Resonant
DESCRIPTION:Resonant is an exhibition bringing together two distinct installations at PS Art Space by Bori Benko and Rob Kettels. In conversation with space\, time and\, one another. Resonant will transport viewers into an entangled vibrational and sonic world\, into a space of shared visual lyricism and intertwined histories. \nBori Benko’s Songs to the Universe makes visible the vibrating forces beyond our perception. Everything in our world\, in the digital landscape and within our bodies\, hum with vibrational energy. Bori captures these different frequencies and unique tunes in her moving mechanical sculptures. Revealed in this exhibition are the harmonies\, patterns and travelling waves that are usually invisible to the human eye. \nRob Kettels’ installation delves into the legacy of maritime time-balls – now obsolete navigational instruments – which served as signalling devices for mariners beginning in the early 19th century. Inspired by a historical incident in 1911 when Fremantle’s time-ball malfunctioned\, dropping at the incorrect time\, Rob’s artwork unfolds in a fictional narrative portraying a ship’s disorientating return to Europe with its timepiece mistakenly set. Electromechanical assemblages and animated sequences playfully expose and challenge settler colonial notions of mastery and control of time. \nGallery hours: 10am-8pm\, Thursday to Sunday. \n[Editor’s note: PS Art Space’s ground floor is wheelchair accessible with accessible bathrooms. The event website has further accessibility information.]
URL:https://owls.place/event/fremantle-biennale-resonant/
LOCATION:PS\, 22 Pakenham St\, Fremantle\, WA\, 6160\, Australia
ATTACH;FMTTYPE=image/jpeg:https://owls.place/wp-content/uploads/2023/09/11.-RESONANT-GalleryColour1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231109
DTEND;VALUE=DATE:20231113
DTSTAMP:20260728T171848
CREATED:20230921T012908Z
LAST-MODIFIED:20230921T012908Z
UID:605-1699488000-1699833599@owls.place
SUMMARY:Fremantle Biennale: So once you were here they had you
DESCRIPTION:Close to the submerged remnants of the Fremantle Long Jetty\, an immersive re-telling of arrival and separation will unfold. \nSo once you were here they had you is an experiential audio-visual poem to the 50 young cotton-weaver women who arrived on the shores of Walyalup\, journeying by ship from Lancashire over 110 days and nights in 1863. Created by electronic music composer Rebecca Riggs-Bennett and video artist Elham Eshraghian-Haakansson\, this work takes place across Bathers Beach\, re-tracing the steps of the women and the many others of the “Bride Ship” era. \nSo once you were here they had you is a reflective honouring of the time swept experiences of these women. Cross with us into an immersive\, at times ghostly\, real and imagined narrative of migration\, loss and departure. \nAnimator: Jarrad Russell\nDramaturgy & Co-Designer: Rachel Riggs\nNarration: Angeliki Georga & Phoebe Georga \n\n\n\nDate and Time \n\nBathers Beach (near Kidogo Arthouse)\, Fremantle\n9 – 12 Nov\nThurs – Sun\n7pm\, 7.30pm\, 8pm \nAudio-Described & Assistive Listening Performance\nSat 11 Nov (book here) \nAuslan Interpreted Performances\nSun 12 Nov (book here)
URL:https://owls.place/event/fremantle-biennale-so-once-you-were-here-they-had-you/
LOCATION:Bathers Beach\, Fremantle\, WA\, 6160
ATTACH;FMTTYPE=image/jpeg:https://owls.place/wp-content/uploads/2023/09/13.-SO-ONCE-YOU-WERE-HERE-GalleryColour1.jpg
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BEGIN:VEVENT
DTSTART;TZID=Australia/Perth:20231109T170000
DTEND;TZID=Australia/Perth:20231109T210000
DTSTAMP:20260728T171848
CREATED:20231026T090451Z
LAST-MODIFIED:20231026T090451Z
UID:693-1699549200-1699563600@owls.place
SUMMARY:Tone List Fundraiser Extravaganza ft. Great Statue\, Tone List Orchestra & Sookie (DJ)
DESCRIPTION:Join us for a celebration of Tone List and to help us raise money to continue our operations into the future. \nCome down to The Sullivan Hall from 5pm for hangs\, home-cooked food and drinks\, with live music kicking off around 7pm. \nEntry by donation. Your generosity is admired and appreciated. \nSchedule \nfrom 5pm: hangs\, home cooked food\, limited edition merch\, silly antics\, and Sookie (504\, The Noise and Vibration Council) sharing some music and ways of listening to music. Bring a picnic rug and lounge in the sun outside the hall – it’s beaut. \nafter 7pm: live performances by \nGreat Statue – is it scary drag\, avant-garde electronic music or just Really Fun? \nTone List Orchestra – legendary one-off large-ensemble collaboration\, featuring\nPedro Alvarez (quenas)\, Sally Ann McIntyre (electronics)\, Simon Charles (soprano saxophone)\, Jameson Feakes (guitar)\, Dale Gorfinkel (Naarm\, self-made instruments)\, Djuna Lee (double bass)\, Annika Moses (voice)\, Josten Myburgh (alto saxophone)\, Dan O’Connor (trumpet)\, Craig Pedersen (trumpet)\, Sage Pbbbt (voices)\, Laura Altman (Sydney\, clarinet & electronics)\, Thea Rossen (percussion)\, Gracie Smith (electric guitar & electronics)\, Stuart Orchard (self-made instruments)\, Naoko Uemoto (saxophones) & Saskia Willinge (flute). \nWhy do we need to raise funds? \nTone List is a volunteer-run\, registered not-for-profit charity organisation. It costs us about $3000 a year to maintain insurances\, business registrations\, and software subscriptions. As we pay all of our ticket money to artists\, we have previously covered these costs by including them in grant budgets where appropriate. Our applications both this and last year towards project funding for 2023 were all rejected\, leaving us without this usual financial base. \nHere is why those things are worth paying for: \n– our NFP status lets us apply for and auspice funding to support projects in the scene. We frequently volunteer our time to do this and have paid tens of thousands in artist fees to musicians through our own projects and via auspices. \n– we’re a channel for philanthropic support for the scene and have supported tax-deductible donations being directed to pay artists for performances and new work \n– we advocate for the scene internationally and have aided in getting WA artists to festivals and concert series’ interstate and overseas through the networks we’ve established via the label and our concert programming. \n– our standing as an award-winning\, critically acclaimed platform allows us to write valuable letters of support to support internationally touring artists in their applications for funding inbound travel\, and Perth artists acquiring funding for projects. We do this dozens of times a year. \n– we advocate for local institutions and festivals to take the local experimental music scene seriously\, involving artists from the scene in their programming and paying artists and curators proper rates for their work. \n– artists on our roster receive benefits like free BandCamp Pro subscriptions for their own profiles. \n– we can maintain a digital archive of our activities for posterity. \nWe welcome questions and comments from you all! \n  \nAccessibility: The Sullivan Hall is a wheelchair accessible space. Both bathrooms are all-gender and wheelchair accessible and are located outside of the space\, accessible via even terrain (concrete path). Both doors of the venue will be open for much of the day to ensure airflow; we will only close them if there are noise concerns. Tone List promotes “being how you are” at the show\, you can move around\, lie on the floor\, check out and go outside if you need fresh air or a break\, etc. There is parking available immediately outside the venue\, however it fills up quickly. The music will at times be loud. \nTone List acknowledges the sovereign Whadjuk people of the Noongar nation as the traditional and rightful custodians of where we work (Walyalup and Boorloo).
URL:https://owls.place/event/tone-list-fundraiser-extravaganza-ft-great-statue-tone-list-orchestra-sookie-dj/
LOCATION:Sullivan Hall\, 2 Nannine Ave\, White Gum Valley\, WA\, Australia
ATTACH;FMTTYPE=image/jpeg:https://owls.place/wp-content/uploads/2023/10/TL-FUNDRAISER-Square-Update-Party9.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Perth:20231109T190000
DTEND;TZID=Australia/Perth:20231109T233000
DTSTAMP:20260728T171848
CREATED:20231101T232338Z
LAST-MODIFIED:20231101T232401Z
UID:700-1699556400-1699572600@owls.place
SUMMARY:ALT/Experimentia x Burnt Seed Records: Drowned God / Kim Little x BladeRunar / Lowmass / Noise for No One / Samarobryn / Scientia x Tenebrae
DESCRIPTION:ALT teams up with BURNT SEED RECORDS for their next edition of Experimentia Series.\nfeaturing A-Z:\n– Drowned God\n– Kim Little x BladeRunar\n– Lowmass\n– Noise for No One\n– Samarobryn\n– Scientia x Tenebrae\n RAZORBOUQUET DJs takeover the RITUALS courtyard slot from 5pm-8pm \n>>>>>>>>>>>>>>>>>\nThursday November 9th\n@ The Bird\n$10 on the door\n<<<<<<<<<<<<<<<<<<\nWe acknowledge that this event takes place on Stolen Whadjuk Noongar land.\nWe pay respect to elders past\, present and emerging. Sovereignty was never ceded.\nFollow us >> https://linktr.ee/heartsofdarkness\nPoster by @yumyab
URL:https://owls.place/event/700/
LOCATION:The Bird\, 181 William St\, Northbridge\, WA\, 6003\, Australia
ATTACH;FMTTYPE=image/jpeg:https://owls.place/wp-content/uploads/2023/11/396240738_837638705033438_5588153917189512433_n.jpg
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