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PRODID:-//Out West Liminal Sounds - ECPv6.0.11//NONSGML v1.0//EN
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METHOD:PUBLISH
X-ORIGINAL-URL:https://owls.place
X-WR-CALDESC:Events for Out West Liminal Sounds
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BEGIN:VTIMEZONE
TZID:Australia/Perth
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TZOFFSETFROM:+0800
TZOFFSETTO:+0800
TZNAME:AWST
DTSTART:20230101T000000
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230901
DTEND;VALUE=DATE:20231125
DTSTAMP:20260728T171852
CREATED:20230830T081326Z
LAST-MODIFIED:20230830T084714Z
UID:494-1693526400-1700870399@owls.place
SUMMARY:SINE at Wallace
DESCRIPTION:SINE is the provocation of sound made visual. SINE is a mathematical series where the operation adds infinite quantities to a given equation. Mathematics\, music and visual art expand common threads of thinking and expression around thoughts of order. \nArtist\, musician\, maker combine to mediate expressions through material object\, instrument\, performance\, and the graphic to form the exhibition SINE at Wallace. Each contributor is invited to show an existing work or develop/adapt a concept for the exhibition taking a deep dive into SINE space. \nArtists:\nLeah Curtis \nCat Hope\nRex Bruce\nJonathon Stockman\nSze Tsang\nMatt Dickmann\nEduardo Cossio\nNic Compton\nBill Busfield\nRussel Davey Wossy\nIan Weir\nCameron Robbins\nJames Morton \nMatt Dickmann \nGuest performers:\nStu Thomas \nMiah Smith \nAya Smith \nCurator:\nJon Tarry \nOpening night 1st Sept 2023 6pm – 8pm\n346 William Street\, Perth\nShow runs till 24th Nov 2023
URL:https://owls.place/event/sine-at-wallace/
LOCATION:346 William Street\, 346 William Street\, Perth\, WA\, 6000\, Australia
ATTACH;FMTTYPE=image/jpeg:https://owls.place/wp-content/uploads/2023/08/59709860-8a74-28de-a3cc-fcc8c1818b95.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231103
DTEND;VALUE=DATE:20231113
DTSTAMP:20260728T171852
CREATED:20230921T011923Z
LAST-MODIFIED:20230921T012134Z
UID:589-1698969600-1699833599@owls.place
SUMMARY:Fremantle Biennale: The Port's Call
DESCRIPTION:Fremantle’s Inner Harbour will be transformed by The Port’s Call\, an expansive sonic installation by Thomas Supple and Byron J Scullin. Beginning at dawn on the first day of the Biennale and continuing until dusk on Sunday 12 November\, the arrival and departure of each large vessel (regardless of the time of day)\, will be signalled by a bespoke soundscape. \nWith each passing vessel\, a continually changing symphony of sound\, using long-range acoustic technology\, will echo throughout the Port. Stretching across a square kilometre\, from the South Mole into Victoria Quay\, the harbour will become a living stage for this sound experience\, attuned to the rhythms of industry. \nCombining human voices and subtle electronics\, this auditory voyage invites listeners to consider anew the cacophony\, movement and epic orchestra that is our global system of commercial goods. \nResonating across the surfaces of these iconic ocean goliaths\, The Port’s Call is an unrepeatable experience calling us to voyage and this place of safe harbour. \n[Editor’s note: Accessibility details available on the event website.]
URL:https://owls.place/event/fremantle-biennale-the-ports-call/
LOCATION:Victoria Quay & Inner Harbour\, Fremantle Port\, Victoria Quay & Inner Harbour\, Fremantle Port\, Fremantle\, WA\, 6160\, Australia
ATTACH;FMTTYPE=image/jpeg:https://owls.place/wp-content/uploads/2023/09/10.-PORTS-CALL-GalleryColour1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231103
DTEND;VALUE=DATE:20231120
DTSTAMP:20260728T171852
CREATED:20230921T012057Z
LAST-MODIFIED:20230921T012057Z
UID:593-1698969600-1700438399@owls.place
SUMMARY:Fremantle Biennale: Kastoms
DESCRIPTION:Kastoms is a new iteration of Taloi Havini’s Answer to the Call\, an immersive twenty-two speaker installation\, composed in dialogue with contemporary arts practice\, scientific investigation and customary wisdom. \nOriginally created after her residency onboard the R/V Falkor (Schmidt Ocean Institute) and premiered with the TBA21-Academy at Ocean Space\, Venice (2021)\, this significant work is now re-imagined in Australia for the first time\, resounding in a series of cycles specifically for the Old Customs House in Fremantle. \nAn island platform will lie at the centre\, its shape and blue tones will evoke the depth and expanse of our understanding of Oceania from the viewpoint of the artists homeland\, the island of Buka\, Bougainville. Listeners will be absorbed into a meditative and gradual evolving soundtrack\, designed by Hayley Forward. Hydrophone recordings of sea floor sonar mapping are layered with ocean chants and Indigenous instruments composed by musician’s Ben Hakalitz and Mario Celestino. Traversing beyond a scientific lens\, Kastoms utilises an ancient call and response method as an invitation for all to enter a temporal space created for deep-listening and relating. \nLike the ocean\, Kastoms is a work of sensory depth\, ancient dialogues and cultural contemporary resonance. Alongside the installation\, Kastoms will include an intimate live performance and in-conversation between Taloi Havini and collaborating musicians Ben Hakalitz and Mario Celestino. \nTraditional Composition & Instruments: Ben Hakalitz\, Mario Celestino\, Past Hakö elders chants\nComposition & Sound Design: Hayley Forward\nSound Engineer: Felix Abrahams\nSound Mixing: Jeremy Turner\nProducer: Angela Duffy\nOriginally commissioned by the TBA-21 Academy at Ocean Space\, Venice\, 2021. \n[Editor’s note: Accessibility details available via the event website.]
URL:https://owls.place/event/fremantle-biennale-kastoms/
LOCATION:Old Customs House\, 8 Philimore St\, Fremantle\, WA\, 6160\, Australia
ATTACH;FMTTYPE=image/jpeg:https://owls.place/wp-content/uploads/2023/09/8.-KASTOMS-GalleryColour1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231103
DTEND;VALUE=DATE:20231120
DTSTAMP:20260728T171852
CREATED:20230921T012439Z
LAST-MODIFIED:20230921T012524Z
UID:601-1698969600-1700438399@owls.place
SUMMARY:Fremantle Biennale: Resonant
DESCRIPTION:Resonant is an exhibition bringing together two distinct installations at PS Art Space by Bori Benko and Rob Kettels. In conversation with space\, time and\, one another. Resonant will transport viewers into an entangled vibrational and sonic world\, into a space of shared visual lyricism and intertwined histories. \nBori Benko’s Songs to the Universe makes visible the vibrating forces beyond our perception. Everything in our world\, in the digital landscape and within our bodies\, hum with vibrational energy. Bori captures these different frequencies and unique tunes in her moving mechanical sculptures. Revealed in this exhibition are the harmonies\, patterns and travelling waves that are usually invisible to the human eye. \nRob Kettels’ installation delves into the legacy of maritime time-balls – now obsolete navigational instruments – which served as signalling devices for mariners beginning in the early 19th century. Inspired by a historical incident in 1911 when Fremantle’s time-ball malfunctioned\, dropping at the incorrect time\, Rob’s artwork unfolds in a fictional narrative portraying a ship’s disorientating return to Europe with its timepiece mistakenly set. Electromechanical assemblages and animated sequences playfully expose and challenge settler colonial notions of mastery and control of time. \nGallery hours: 10am-8pm\, Thursday to Sunday. \n[Editor’s note: PS Art Space’s ground floor is wheelchair accessible with accessible bathrooms. The event website has further accessibility information.]
URL:https://owls.place/event/fremantle-biennale-resonant/
LOCATION:PS\, 22 Pakenham St\, Fremantle\, WA\, 6160\, Australia
ATTACH;FMTTYPE=image/jpeg:https://owls.place/wp-content/uploads/2023/09/11.-RESONANT-GalleryColour1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Perth:20231104T160000
DTEND;TZID=Australia/Perth:20231104T173000
DTSTAMP:20260728T171852
CREATED:20230921T012333Z
LAST-MODIFIED:20230921T012333Z
UID:598-1699113600-1699119000@owls.place
SUMMARY:Fremantle Biennale: Kastoms performance with Taloi Havini\, Ben Hakalitz & Mario Celestino
DESCRIPTION:Kastoms is a new iteration of Taloi Havini’s Answer to the Call\, an immersive twenty-two speaker installation\, composed in dialogue with contemporary arts practice\, scientific investigation and customary wisdom. \nOriginally created after her residency onboard the R/V Falkor (Schmidt Ocean Institute) and premiered with the TBA21-Academy at Ocean Space\, Venice (2021)\, this significant work is now re-imagined in Australia for the first time\, resounding in a series of cycles specifically for the Old Customs House in Fremantle. \nAn island platform will lie at the centre\, its shape and blue tones will evoke the depth and expanse of our understanding of Oceania from the viewpoint of the artists homeland\, the island of Buka\, Bougainville. Listeners will be absorbed into a meditative and gradual evolving soundtrack\, designed by Hayley Forward. Hydrophone recordings of sea floor sonar mapping are layered with ocean chants and Indigenous instruments composed by musician’s Ben Hakalitz and Mario Celestino. Traversing beyond a scientific lens\, Kastoms utilises an ancient call and response method as an invitation for all to enter a temporal space created for deep-listening and relating. \nLike the ocean\, Kastoms is a work of sensory depth\, ancient dialogues and cultural contemporary resonance. Alongside the installation\, Kastoms will include an intimate live performance and in-conversation between Taloi Havini and collaborating musicians Ben Hakalitz and Mario Celestino. \nTraditional Composition & Instruments: Ben Hakalitz\, Mario Celestino\, Past Hakö elders chants\nComposition & Sound Design: Hayley Forward\nSound Engineer: Felix Abrahams\nSound Mixing: Jeremy Turner\nProducer: Angela Duffy\nOriginally commissioned by the TBA-21 Academy at Ocean Space\, Venice\, 2021.
URL:https://owls.place/event/fremantle-biennale-kastoms-performance-with-taloi-havini-ben-hakalitz-mario-celestino/
LOCATION:Old Customs House\, 8 Philimore St\, Fremantle\, WA\, 6160\, Australia
ATTACH;FMTTYPE=image/jpeg:https://owls.place/wp-content/uploads/2023/09/8.-KASTOMS-GalleryColour2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Perth:20231104T180000
DTEND;TZID=Australia/Perth:20231104T193000
DTSTAMP:20260728T171852
CREATED:20230921T010625Z
LAST-MODIFIED:20230921T010625Z
UID:578-1699120800-1699126200@owls.place
SUMMARY:Perth International Jazz Festival: Helen Svoboda (solo)
DESCRIPTION:A “whimsical and free” solo performance for double bass and voice. \nHelen Svoboda is a double bassist\, vocalist and composer. In the words of the ABC Music Show’s Andrew Ford\, she is “a musician who absolutely defies categorisation”. Her work explores the melodic potential of the contemporary double bass\, intricately weaving extended techniques and overtones with vocal tessitura to explore themes of sonic unity amidst abstract songwriting. Her performance practice emits a childlike\, quirky energy\, with a flair for “allowing difficult ideas to sound whimsical and free”\, according to vocalist Kristin Berardi. \nFor this performance\, she presents a series of new solo works for double bass and voice\, composed during her time in Finland as part of the Helsinki International Artist Programme earlier this year. Inspired by the arctic biosphere on Suomenlinna\, the materials feature extended overtone techniques and short songs akin to a stream of sonic consciousness.
URL:https://owls.place/event/perth-international-jazz-festival-helen-svoboda-solo/
LOCATION:Goodwill Club\, 224 William St\, Northbridge\, 6003\, Australia
ATTACH;FMTTYPE=image/jpeg:https://owls.place/wp-content/uploads/2023/09/Helen-Svoboda_B1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Australia/Perth:20231104T210000
DTEND;TZID=Australia/Perth:20231104T220000
DTSTAMP:20260728T171852
CREATED:20231010T091433Z
LAST-MODIFIED:20231010T091433Z
UID:674-1699131600-1699135200@owls.place
SUMMARY:Perth International Jazz Festival: Delay 45
DESCRIPTION:Tom Avgenicos presents Ghosts Between Streams\, an ode to nature via a rich tapestry of sounds\, with Delay 45. \nGhosts Between Streams is an interdisciplinary work by 2022 Freedman Fellow\, composer and trumpeter Tom Avgenicos. It blends chamber music\, contemporary jazz and electronics to explore the power struggle between nature and urbanisation. With an overarching environmental concern\, the work captures the notion of solastalgia – the sadness felt at the loss or change of a beloved place in nature. \nInspired by Avgenicos’ daily walks through Stringybark Creek Reserve on Cammeraygal Country (Sydney)\, Ghosts Between Streamspaints a vivid picture of the reserve’s rich flora and fauna\, now threatened by urban development. This is reflected in the work through an exploration of contrasts: light and dark\, consonance and dissonance\, smooth and jagged\, acoustic and electronic. \nGhosts is performed by Avgenicos’ long-standing quartet\, Delay 45\, featuring Roshan Kumarage (piano)\, Dave Quinn (bass) and Ashley Stoneham (drums). Together they create a rich tapestry of sounds and textures that are woven together into an epic work that promises to take audiences on a spellbinding journey brimming with emotional power and resonance.
URL:https://owls.place/event/perth-international-jazz-festival-delay-45/
LOCATION:Goodwill Club\, 224 William St\, Northbridge\, 6003\, Australia
ATTACH;FMTTYPE=image/jpeg:https://owls.place/wp-content/uploads/2023/10/Delay-45_B1.jpg
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